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| Architectural Review (Australia) | |
|---|---|
| Title | Architectural Review (Australia) |
| Category | Architecture |
| Frequency | Quarterly |
| Firstdate | 1978 |
| Country | Australia |
| Language | English |
Architectural Review (Australia) is a professional periodical and institutional process documenting design appraisal, compliance assessment, and peer critique within Australian built-environment practice. The publication and its associated panels engage with projects from Sydney Opera House-scale cultural commissions to suburban precincts such as Melbourne Docklands, drawing contributions from practitioners associated with Royal Australian Institute of Architects, Australian Institute of Architects, and academic centres like University of Sydney, University of Melbourne, and University of New South Wales. It has intersected with regulatory episodes including the Building Code of Australia, Heritage Act 1977 (NSW), and major inquiries such as the Victorian Bushfires Royal Commission.
The origin traces to late-1970s debates among figures linked to Graham Greenleaf-era practice, critics influenced by the Venice Biennale discourse and scholars from RMIT University, Monash University, and University of Queensland. Early issues documented work by studios like Bates Smart, Grimshaw Architects, and John Wardle Architects while referencing policy shifts exemplified by the introduction of the Building Code of Australia and state instruments such as the NSW Heritage Act 1977. The Review's formation mirrored international models from Architectural Review (UK), Architectural Record, and panels convened for projects at Sydney Opera House Trust and National Gallery of Australia.
The Review serves to evaluate proposals submitted to bodies including New South Wales Land and Housing Corporation, Victorian Planning Authority, and Western Australian Planning Commission, and to advise stakeholders such as Landcom, Infrastructure Australia, and municipal councils like City of Sydney and Melbourne City Council. Its scope spans conservation matters under Australian Heritage Council jurisdiction, adaptive reuse linked to projects like Old Parliament House (Canberra), and urban design concerns in precincts governed by schemes such as the Metropolitan Strategy (Sydney). It informs awards and recognition programs administered by Australian Institute of Architects and sometimes influences grant decisions by Australia Council for the Arts.
The Review operates within statutory frameworks including the Building Code of Australia, state planning instruments like the Planning and Environment Act 1987 (Victoria), and heritage legislation such as the Heritage Act 2017 (Vic). It references technical standards from bodies like Standards Australia and compliance pathways under schemes administered by NSW Planning Portal and the Victorian Building Authority. Practice is shaped by professional codes from Australian Institute of Architects and liability contexts involving institutions like the Office of the Australian Information Commissioner when handling submissions.
Typical procedures replicate models used by panels convened for major commissions at Museum of Contemporary Art Australia and Art Gallery of New South Wales: anonymous pre-qualification, design presentation, and minutes accessible to stakeholders such as Infrastructure Australia and local councils. The Review uses assessment criteria derived from documents like the Urban Design Protocol (2006) and outputs recommendations that feed into approvals administered via the Development Assessment Commission (South Australia), state planning panels, and certifiers affiliated with Housing Industry Association. Panel membership is managed through calls for expertise advertised with institutions such as Australian Institute of Architects and universities.
Participants include nominated chairs drawn from practices such as Fender Katsalidis, Tzannes Associates, and academics from University of Technology Sydney and Curtin University. Commissioners and reviewers have included architects recognized by awards like the RAIA Gold Medal, critics connected to publications such as Architecture Australia and The Australian Financial Review, and heritage specialists associated with National Trust of Australia. Stakeholders range from developers like Lendlease and Mirvac to public agencies including Transport for NSW and arts bodies like Creative Victoria.
Notable reviews recorded involvement with projects such as redevelopment proposals at Parliament House, Canberra, major precinct plans for Barangaroo, design competitions for the Melbourne Recital Centre, and conservation works at Hyde Park Barracks. Reviews have influenced outcomes for infrastructure projects backed by Infrastructure Australia and for cultural facilities sited by City of Adelaide and City of Perth. Panels convened during controversies such as the Anzac Memorial restoration and redevelopment of Sydney’s Walsh Bay Arts Precinct demonstrate the Review's engagement with high-profile public and private commissions.
Critiques levelled by commentators in outlets like The Sydney Morning Herald, The Age, and academic critiques from University of Adelaide have targeted transparency, conflicts of interest involving firms such as Multiplex and CIMIC Group, and uneven representation of Indigenous perspectives tied to First Nations heritage matters. Reforms proposed or implemented include stronger disclosure rules aligned with Freedom of Information Act 1982 (Cth), expanded Indigenous consultation protocols reflecting principles from the Uluru Statement from the Heart, and tighter probity arrangements modelled on inquiries like the Royal Commission into Building Queensland.
Category:Architecture magazines Category:Australian architecture