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Annapolis Black History Museum

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Annapolis Black History Museum
NameAnnapolis Black History Museum
Established1984
Location37 Church Circle, Annapolis, Maryland
TypeHistory museum

Annapolis Black History Museum

The Annapolis Black History Museum documents and interprets African American life and heritage in Annapolis, Maryland, Prince George's County neighbors, and the broader United States Mid-Atlantic region. The museum connects local narratives to national stories involving figures such as Frederick Douglass, Harriet Tubman, Thurgood Marshall, Langston Hughes, and institutions like Howard University, Spelman College, and Tuskegee Institute. Its programming situates community history alongside events including the American Revolutionary War, the War of 1812, the Civil War, and the Civil Rights Movement.

History

The museum originated from preservation efforts linked to sites associated with James Brice, Samuel Chase, and African American communities in Annapolis during the aftermath of preservation initiatives inspired by figures like Dolley Madison and organizations such as the National Trust for Historic Preservation, the Maryland Historical Society, and the Annapolis Historic District Commission. Early leadership echoed networks including Robert Smalls, Mary Church Terrell, Booker T. Washington, and activists connected with the NAACP, National Association of Colored Women, and the Urban League. Fundraising campaigns drew support from philanthropies like the Andrew W. Mellon Foundation, the Ford Foundation, and local branches of the Community Foundation for the National Capital Region. Over decades, curatorial guidance referenced scholarship by historians such as John Hope Franklin, Ira Berlin, Edmund S. Morgan, Annette Gordon-Reed, and public historians affiliated with Johns Hopkins University, University of Maryland, College Park, and Towson University.

Building and Architecture

The museum occupies a historic structure near Church Circle, Annapolis with architectural relationships to nearby landmarks including Maryland State House, St. Anne's Church, and buildings preserved by the Annapolis Preservation Commission. The building displays elements consistent with Georgian architecture and regional vernacular influenced by builders working in the era of Calvert County planters who paralleled construction trends seen in Mount Vernon and Monticello. Conservation treatments have referenced techniques advocated by the National Park Service and the Smithsonian Institution museum conservation staff, and restoration planners consulted guidelines from the Secretary of the Interior's Standards for the Treatment of Historic Properties.

Collections and Exhibits

Collections emphasize material culture, documents, and visual arts connecting Annapolis to figures such as Frederick Douglass, Crispus Attucks, Benjamin Banneker, Ellen Craft, Harriet Tubman, Sojourner Truth, and local leaders like Harriet Elizabeth Brown and Kunta Kinte narratives as retold through community memory projects. The archives include manuscripts, ledgers, and maps tied to Annapolis shipbuilding and trades that intertwined with the Transatlantic slave trade and wartime workforces linked to the United States Naval Academy. Rotating exhibits have showcased works by artists including Romare Bearden, Jacob Lawrence, Elizabeth Catlett, Faith Ringgold, and contemporary practitioners represented by galleries like the Anacostia Community Museum and the Reginald F. Lewis Museum. The museum has loaned materials to institutions such as the Library of Congress, the National Archives, and the Smithsonian National Museum of African American History and Culture for collaborative displays on topics ranging from Emancipation Proclamation commemorations to local contributions during the World War II home front.

Educational Programs and Outreach

Educational offerings connect to curricula and initiatives at Annapolis High School, St. Mary's High School, Severn School, and higher education partners including United States Naval Academy, University of Maryland Baltimore County, and Goucher College. Programs include guided tours, oral-history projects modeled after the Federal Writers' Project, workshops inspired by the pedagogy of Paulo Freire and historians like Carter G. Woodson, and summer institutes developed with cultural organizations such as the National Endowment for the Humanities and the Institute of Museum and Library Services. Outreach extends to veterans’ groups exemplified by connections to Buffalo Soldiers commemorations and to community service partnerships with the Annapolis Volunteer Fire Company and local chapters of Jack and Jill of America.

Community Role and Impact

The museum functions as a civic hub for commemorations tied to anniversaries of events like the Emancipation Day celebrations and regional observances of Martin Luther King Jr. Day, involving leaders linked to John Lewis, Bayard Rustin, Ella Baker, Fannie Lou Hamer, and local advocates rooted in coalitions similar to the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee. It has supported neighborhood revitalization projects aligned with preservation efforts by the Annapolis Historic District Commission and economic initiatives associated with the Maryland Department of Housing and Community Development and local Chambers of Commerce. Community-led exhibits have foregrounded stories of tradespeople, seamstresses, and sea captains connected to ports like Baltimore and Norfolk, Virginia.

Governance and Funding

Governance relies on a board of directors composed of community leaders, historians, educators, and preservationists with affiliations across institutions such as Anne Arundel County Government, the Maryland Historical Trust, Historic Annapolis Foundation, and university partners including Towson University and Johns Hopkins University. Funding streams combine municipal support, grants from entities like the National Endowment for the Arts, the Maryland State Arts Council, private donations from foundations such as the Annie E. Casey Foundation and corporate sponsorships from regional firms operating in Baltimore and Washington, D.C.. Annual fundraising events have mirrored models used by museums like the Reginald F. Lewis Museum and the International African American Museum to diversify revenue and ensure curatorial care consistent with professional standards from organizations such as the American Alliance of Museums.

Category:Museums in Annapolis, Maryland