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Anglican Common Worship

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Anglican Common Worship
NameCommon Worship
CaptionBook cover of Common Worship
AuthorGeneral Synod of the Church of England
CountryUnited Kingdom
LanguageEnglish language
PublisherChurch House Publishing
Pub date2000–2008
PagesVarious
IsbnMultiple

Anglican Common Worship is the principal liturgical resource series authorized by the General Synod of the Church of England in the early 21st century, replacing earlier rites associated with the Book of Common Prayer. It provides services for Holy Communion, the Daily Office, pastoral rites, and seasonal material used across dioceses such as Canterbury, York, and Durham. The series was produced and promulgated through institutions including Church House Publishing, the Archbishop of Canterbury, and the House of Bishops of the Church of England.

Background and Development

Development began in the context of debates at the Church of England General Synod in the late 20th century after reviews influenced by commissions such as the Liturgical Commission (Church of England). Key figures and bodies in its genesis include the Archbishop of Canterbury, the Archbishop of York, and the House of Bishops, working alongside liturgists from Westminster Abbey, St Paul's Cathedral, and diocesan offices in London, Manchester, and Birmingham. The process drew on precedents from the Book of Common Prayer (1662), the Alternative Service Book 1980, and ecumenical developments following the Second Vatican Council, consultations with the Anglican Consultative Council, and input from committees linked to Lambeth Conference discussions. Drafts were debated at synods in York Minster and Canterbury Cathedral and were shaped by scholarship from authors associated with King's College London, University of Oxford, University of Cambridge, Durham University, and liturgical scholars such as Nicholas Temperley and Graham Kings. The legislative approval by the General Synod of the Church of England led to phased publication between 2000 and 2008, with subsequent pastoral guidance from primates in Windsor and Lambeth Palace.

Structure and Contents

The series comprises volumes and resources covering Holy Communion, the Daily Prayer, Baptism, Confirmation, Marriage, Funeral, and services for festivals like Eastertide, Advent, and Christmas. It includes authorized texts for the Common Worship: Services and Prayers for the Church of England, the Common Worship Pastoral Services, and sacramental rites used in parish churches such as St Martin-in-the-Fields and cathedrals like Christ Church, Oxford. Lectionaries, collects, and seasonal propers relate to traditions found in Wesleyan and Methodist Church of Great Britain usage and resonate with patterns from Anglican liturgy retained in dioceses like Exeter and Chichester. The books incorporate alternatives in language and rubrics that reflect decisions by the House of Bishops and draw on translations and scholarship linked to The Jerusalem Bible, Revised Standard Version, and committees at Cambridge University Press. Supplements provide musical settings that engage composers associated with Royal College of Music, King's College, Cambridge Choir, and liturgical musicians from Southwark Cathedral and Ely Cathedral.

Liturgical Use and Variants

Common Worship texts are employed at parish level in churches across England, the Isle of Man, and occasionally in provinces of the Anglican Communion influenced by Church of Ireland and Scottish Episcopal Church practice. Variants include contemporary language rites, traditional language options, and local adaptations authorized by diocesan bishops in Coventry, Lincoln, and Norwich. Use in cathedrals, university chapels such as Trinity College, Cambridge Chapel, and military chaplaincies connected to Ministry of Defence settings demonstrates flexibility across contexts; chaplains serving at Royal Navy and British Army establishments apply pastoral adaptations. Musical and ceremonial diversity is evident in parish practices from Anglo-Catholic communities of Salisbury to evangelical parishes in Bristol and Brighton, while some religious communities such as the Community of the Resurrection and Convent of the Incarnation incorporate monastic patterns within Common Worship frameworks.

Reception and Controversies

Reception was varied: proponents in dioceses like Chelmsford and Southwell praised pastoral modernisation and ecumenical language options, whereas traditionalists and advocates for the Book of Common Prayer (1662) in parishes around Winchester and Carlisle raised objections. Debates at the General Synod of the Church of England and commentaries in publications like The Church Times and The Tablet highlighted tensions over theology, translation choices, and polity. Controversies included disputes about pastoral provisions for remarriage addressed by the House of Bishops, liturgical copyright issues involving Church House Publishing, and legal questions discussed at venues such as Lambeth Palace Library and Royal Courts of Justice. The reception intersected with broader Anglican controversies debated at the Lambeth Conference and in statements by primates from provinces including Nigeria, Kenya, and The Episcopal Church (United States).

Influence and Ecumenical Relations

Common Worship influenced liturgical revision efforts in other Anglican provinces, including work in the Anglican Church of Canada and discussions within the Anglican Church of Australia. It engaged with Roman Catholic liturgists shaped by the Second Vatican Council and entered ecumenical dialogues involving bodies such as the World Council of Churches, the Anglican–Roman Catholic International Commission (ARCIC), and the Porvoo Communion. Scholars from institutions like Princeton Theological Seminary, Yale Divinity School, and Union Theological Seminary have critiqued and compared Common Worship texts with rites in Lutheran Church of Sweden and Orthodox Church practices. The use of Common Worship forms also affected hymnody and music commissioned by organizations like the Royal School of Church Music and collaborations with choirs such as Westminster Abbey Choir and St John's College, Cambridge Choir. Its ecumenical footprint is visible in joint services with Methodist Church of Great Britain, dialogues with the United Reformed Church, and in shared liturgies at ecumenical festivals in Birmingham and Glasgow.

Category:Church of England liturgy