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American Literary History

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American Literary History
NameAmerican Literary History
CountryUnited States
Period17th century–present
Major authorsBenjamin Franklin, Nathaniel Hawthorne, Walt Whitman, Emily Dickinson, Mark Twain, Harriet Beecher Stowe, Ralph Waldo Emerson, Henry David Thoreau, Edgar Allan Poe, Toni Morrison, Langston Hughes, Zora Neale Hurston, William Faulkner, F. Scott Fitzgerald, Ernest Hemingway

American Literary History offers a chronological and thematic account of writing in the lands of the present-day United States from colonial settlement through contemporary multicultural production, connecting texts such as The Federalist Papers, Uncle Tom's Cabin, Leaves of Grass, The Great Gatsby, Beloved with institutions like Harvard University, Columbia University, The New Yorker, The New York Times Book Review and events including the American Revolution, the Civil War, the Civil Rights Movement, the Women's suffrage movement. It surveys movements including Puritanism, Transcendentalism, Realism, Modernism, Harlem Renaissance, Postmodernism and highlights authors linked to awards such as the Pulitzer Prize, the Nobel Prize in Literature, and the National Book Award.

Overview and Definitions

Scholars define the field by texts produced in contexts like colonial Jamestown, Virginia, Plymouth Colony, antebellum Charleston, South Carolina, and metropolitan centers such as New York City, Boston, Massachusetts, San Francisco, California, linking canonical items like Sinners in the Hands of an Angry God, Common Sense (pamphlet), Moby-Dick to institutional actors including the Library of Congress, Smithsonian Institution, Academy of American Poets and events such as the Mexican–American War, the Great Depression, World War II. Definitions debate inclusion of writings from regions attached to the Spanish Empire, French colonial empire, and territories like Puerto Rico, Hawaii, Alaska alongside diasporic texts tied to African American, Native American, Latinx, Asian American communities.

Periods and Movements

Narratives map early texts by figures such as Anne Bradstreet, William Bradford and Jonathan Edwards into Revolutionary-era pamphleteers like Thomas Paine, Alexander Hamilton, James Madison and Federalist authors active in Philadelphia, Pennsylvania. The 19th century centers on lyricists and novelists including Walt Whitman, Emily Dickinson, Nathaniel Hawthorne, Herman Melville, Frederick Douglass alongside reformers connected to Abolitionism, the Second Great Awakening, and movements such as Transcendentalism with leaders Ralph Waldo Emerson and Henry David Thoreau. Realist and Naturalist trajectories involve Mark Twain, Henry James, Stephen Crane and locales like St. Louis, Missouri and New Orleans, Louisiana. Modernist ruptures engage T. S. Eliot, Ezra Pound, William Carlos Williams, Gertrude Stein and centers in Paris, Chicago, Harlem Renaissance figures Langston Hughes, Zora Neale Hurston, while mid-20th-century writers such as Ernest Hemingway, F. Scott Fitzgerald, William Faulkner respond to the Great War and the Great Depression. Postwar and contemporary scenes include Allen Ginsberg, Jack Kerouac, James Baldwin, Toni Morrison, Don DeLillo, Joyce Carol Oates and movements like Beat Generation, Black Arts Movement, Postcolonial literature, Feminist literature.

Major Authors and Works

Canonical lists cite works such as The Federalist Papers (Hamilton, Madison, Jay), The Adventures of Huckleberry Finn (Mark Twain), Moby-Dick (Herman Melville), The Scarlet Letter (Nathaniel Hawthorne), Leaves of Grass (Walt Whitman), Poems by Emily Dickinson (Emily Dickinson), The Waste Land (via T. S. Eliot's influence), The Sound and the Fury (William Faulkner), The Great Gatsby (F. Scott Fitzgerald), The Sun Also Rises (Ernest Hemingway), Invisible Man (Ralph Ellison), Beloved (Toni Morrison), Their Eyes Were Watching God (Zora Neale Hurston). Poetic output emphasizes Edgar Allan Poe's influence on genre, while playwrights like Arthur Miller, Tennessee Williams, Eugene O'Neill shape theater linked to institutions such as the Guthrie Theater, Lincoln Center. Contemporary prize-winning authors include Louise Erdrich, Jhumpa Lahiri, Don DeLillo, Cormac McCarthy, Colson Whitehead.

Themes and Genres

Recurring themes include national identity as debated in Federalist Papers and Common Sense (pamphlet), slavery and abolition in Uncle Tom's Cabin (Harriet Beecher Stowe), migration in texts tied to Dust Bowl narratives and Great Migration accounts by Richard Wright and Zora Neale Hurston, gender and domesticity in novels by Charlotte Perkins Gilman, Kate Chopin, Edith Wharton, race and resistance in works by James Baldwin, Richard Wright, Toni Morrison, and environmental writing from Henry David Thoreau to Rachel Carson. Genres range from Puritan sermons in New England to frontier narratives like James Fenimore Cooper's tales, slave narratives by Olaudah Equiano and Sojourner Truth-adjacent figures, detective fiction influenced by Edgar Allan Poe, science fiction with practitioners such as Octavia Butler, and lyric and experimental poetry practiced by Gertrude Stein, William Carlos Williams, Sylvia Plath.

Regional and Cultural Traditions

Regional traditions map to places like New England (Transcendentalism, Puritan prose), the South (plantation narratives, Southern Gothic tied to William Faulkner, Flannery O'Connor), the Midwest (regional realism from Mark Twain to Sherwood Anderson), West Coast scenes in San Francisco (Beat poets) and Los Angeles (Chicano literature). Indigenous literatures involve figures and nations such as Leslie Marmon Silko and the Navajo Nation, while African American literary traditions center on communities in Harlem, New York and cities like Chicago, Illinois and New Orleans, Louisiana producing the Harlem Renaissance, Chicago Black Renaissance, and contemporary voices connected to movements including Black Lives Matter. Latino/a and Latinx literatures involve authors such as Rudolfo Anaya, Sandra Cisneros, linkages to Puerto Rico and Mexican American histories in Texas, while Asian American traditions feature Maxine Hong Kingston, Amy Tan and histories tied to Angel Island and Chinatown, San Francisco.

Critical Approaches and Historiography

Critical frames include New Criticism as practiced around institutions like Yale University and Columbia University, Historical New Criticism reacting to Civil War scholarship, New Historicism associated with schools in Princeton University and University of California, Berkeley, Marxist readings linked to University of Chicago scholars, feminist criticism emerging from Smith College and Barnard College networks, and postcolonial approaches attentive to writers from Puerto Rico and Hawaii. Literary historiography debates canon formation influenced by publishing houses like HarperCollins, periodicals such as The Atlantic (magazine), academic prizes like the Pulitzer Prize, and anthology projects including The Norton Anthology of American Literature; recent methodologies foreground ethnic studies programs at University of California, Los Angeles, Howard University, and digital humanities projects hosted by Library of Congress and University of Virginia.

Category:American literature