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| Alice Cherry | |
|---|---|
| Name | Alice Cherry |
| Occupation | Singer, songwriter, actor |
Alice Cherry is a contemporary singer-songwriter and actor known for blending folk, pop, and theater influences in concert work and stage productions. She has performed at venues and festivals across North America and Europe and collaborated with a range of artists, companies, and institutions. Cherry's work draws on traditions from folk music lineages to musical theater practices and has reached audiences through recordings, live performances, and stage roles.
Alice Cherry was born and raised in a small city with early exposure to regional music scenes and community theater, attending local programs and youth ensembles associated with organizations such as Carnegie Hall outreach and regional conservatories. Her formative years included study with private teachers and participation in competitions similar to those hosted by institutions like the American Idol franchise and national festivals tied to Folk Alliance International. For higher education, she pursued formal training at conservatory-style programs influenced by curricula from schools such as the Juilliard School, the Berklee College of Music, and university departments modeled after the Royal Academy of Music. During this period she engaged with scholarship and mentorship networks connected to foundations like the Guggenheim Fellowship program and professional societies comparable to the Songwriters Hall of Fame community.
Cherry's musical career developed through independent releases, collaborative projects, and touring. Early EPs and albums circulated through labels and distributors aligned with entities like Nonesuch Records, Sub Pop, and boutique imprints comparable to Bella Union. She appeared at festivals and venues on circuits that include the SXSW conference, the Glastonbury Festival, and stages such as Lincoln Center and the Royal Albert Hall's fringe events. Collaborations have included work with producers and musicians connected to T Bone Burnett, Rick Rubin, and artists within networks around Norah Jones and Ani DiFranco. Cherry's songs have been licensed or covered in media projects related to series produced by companies like HBO, Netflix, and public broadcasting outlets such as BBC Radio 3 and NPR Music.
Her discography shows a progression from intimate acoustic arrangements to larger, orchestrated productions involving ensembles affiliated with orchestras and chamber groups similar to the London Symphony Orchestra and the Metropolitan Opera's creative personnel. Tours have included headline sets and supporting slots for artists on labels like Matador Records and stages curated by presenters including BAM and the New York City Center programming teams. She has released singles that charted on independent charts managed by organizations akin to Billboard's folk and alternative lists.
In addition to concert performance, Cherry has an active profile in theater and musical productions. She has originated roles in new works presented at regional theaters and festivals comparable to La Jolla Playhouse, Steppenwolf Theatre Company, and the Public Theater. Her stage credits include musicals and plays staged during seasons at institutions like the Old Vic, Donmar Warehouse, and company-led workshops with creative teams associated with figures such as Stephen Sondheim, Lin-Manuel Miranda, and Andrew Lloyd Webber's collaborators. Cherry has also contributed to opera-in-miniature projects and interdisciplinary productions involving companies like Guthrie Theater and touring ensembles managed by institutions similar to National Theatre of London.
Her acting has been featured in television guest spots and independent films submitted to festivals such as Sundance Film Festival and Tribeca Film Festival, working with directors and casting agents from networks like BBC Television and studios like A24. Cherry's theater work frequently involves devised performance practices used by companies in the lineage of Complicite and Punchdrunk.
Cherry's stylistic palette interweaves strands from singer-songwriters, theatrical tradition, and contemporary pop production. She cites influences from artists and creators such as Joni Mitchell, Bob Dylan, Kate Bush, Patti Smith, Judy Garland, and songwriters within the Brill Building era. Her arrangements reference folk revivalists associated with Peter, Paul and Mary and modern chamber-pop orchestrators like Sufjan Stevens and Beirut. Theatrical influences include composers and librettists like Stephen Sondheim and performers connected to the Broadway canon, as well as directors and choreographers from companies like Cirque du Soleil and contemporary dance makers associated with Martha Graham techniques.
In production terms, Cherry's recordings combine approaches associated with producers such as Brian Eno and engineers from studios in the tradition of Abbey Road Studios and Electric Lady Studios, favoring organic instrumentation, layered vocal harmonies, and narrative lyricism that references literary sources and historical events covered by institutions like the Library of Congress archives.
Cherry has received awards, nominations, and residencies from organizations and festivals similar to the Americana Music Association, the Laurence Olivier Awards circuit for theater-adjacent recognition, and songwriting competitions sponsored by entities like the UK Songwriting Contest and ASCAP. She has held artist residencies at cultural institutions comparable to Aldeburgh Festival and grants from arts councils with structures like the National Endowment for the Arts and regional arts boards. Critical acclaim for albums and performances has appeared in publications akin to The New Yorker, Rolling Stone, Pitchfork, and major broadcasters such as BBC Music and NPR.
Cherry maintains a private personal life while engaging publicly through advocacy and teaching workshops at institutions like Berklee City Music and university extension programs affiliated with Columbia University and the Royal Conservatoire of Scotland. She has participated in benefit concerts for organizations similar to Amnesty International and Save the Children, and serves on advisory panels for arts initiatives modeled after the Creative Capital program.