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| Alaska (singer) | |
|---|---|
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| Name | Alaska |
| Caption | Alaska performing |
| Background | solo_singer |
| Birth name | Olvido Gara Jova |
| Birth date | 1963-06-13 |
| Birth place | Mexico City, Mexico |
| Origin | Madrid, Spain |
| Genres | Nueva canción, Synth-pop, Punk rock, New wave, Dance music |
| Occupations | Singer, songwriter, television presenter, actress |
| Years active | 1977–present |
| Associated acts | Kaka de Luxe, Alaska y los Pegamoides, Alaska y Dinarama, Fangoria |
Alaska (singer) is the stage name of Olvido Gara Jova, a Spanish-Mexican singer, songwriter, actress and media personality prominent in the late 20th and early 21st centuries. Rising from punk and new wave scenes in Madrid during the late 1970s, she became a leading figure of the cultural movement known as La Movida Madrileña and later co-founded influential pop duo projects that shaped Spanish-language synth-pop and electropop. Her career spans collaborations with punk bands, charting pop singles, film appearances, television presenting and enduring influence on Spanish and Latin American popular culture.
Olvido Gara Jova was born in Mexico City to a family with ties to Cuba and Spain, and moved to Madrid as a child during a period of migration between North America and Europe. She grew up amid cultural exchanges involving Mexican cinema, Spanish transition to democracy, and the international punk currents sparked by acts such as The Clash, Ramones, Sex Pistols and Talking Heads. Her formative years intersected with artistic networks linked to La Movida Madrileña, alongside contemporaries from scenes around Chueca, Malasaña, Lavapiés and venues like La Vía Láctea and Rock-Ola. Early influences included visual and literary figures associated with Surrealism, Dada, Beat Generation authors and music magazines such as Rockdelux, Ruta 66 and Rolling Stone.
Alaska began her career in the late 1970s with the punk outfit Kaka de Luxe before co-founding the new wave group Alaska y los Pegamoides, which featured musicians who later formed Parálisis Permanente and Décima Víctima. The Pegamoides era produced seminal tracks that circulated on independent labels and fanzines alongside performances at venues tied to La Movida Madrileña; members and collaborators included figures from Tino Casal's generation and producers tied to RCA Records and Virgin Records. After Pegamoides disbanded, she formed Alaska y Dinarama with musicians who had connections to Loquillo, producing pop hits that entered charts administered by PROMUSICAE and appeared on compilations distributed by Hispavox and EMI. During the late 1980s and early 1990s she transitioned into electronic pop with the duo Fangoria, partnering with Nacho Canut to explore synth-pop and electropop aesthetics that resonated with club scenes in Madrid, Barcelona, Bilbao and tours across Latin America including Mexico, Argentina, Chile and Colombia. Collaborations across her discography include work with producers and artists tied to Phil Vinall-style production, remixers active in the Ibiza circuit, and guest appearances with performers associated with Mecano, Héroes del Silencio, Los Rodríguez and later crossover acts on Spanish-language Billboard charts. Her recorded output comprises studio albums, live recordings, greatest hits issued by major labels and independent releases that reflect shifts from punk to pop to electronic dance music.
Alaska has appeared in films connected to Spanish directors and movements that intersect with Pedro Almodóvar's milieu, performing cameos and supporting roles in projects influenced by Movida films and underground cinema shown at festivals like San Sebastián International Film Festival and Sitges Film Festival. On television she served as a presenter and guest on programs broadcast by networks including Televisión Española, Antena 3, Telecinco and regional channels, participating in talk shows, music specials and reality formats associated with music programming and retrospective documentaries on La Movida Madrileña. She also contributed as a judge and mentor on talent shows influenced by formats such as Operación Triunfo and international franchises originating from British and American television models. Her screen work brought collaborations with personalities from Spanish media such as Paz Vega, Penélope Cruz, Jesús Vázquez and producers linked to Globomedia.
Alaska's artistry draws on punk iconography, new wave aesthetics, camp performance, queer culture and pop art references associated with figures like Andy Warhol, David Bowie, Kraftwerk and Brian Eno. Her visual presentation incorporates influences from fashion houses and designers who worked across Madrid and Paris scenes including those associated with Yves Saint Laurent, Vivienne Westwood and conceptual stylists seen in publications like Vogue España and Vanity Fair. Musically, her compositions reflect structural links to Northern Soul, Disco and Italo disco rhythms filtered through Spanish lyrical traditions related to singer-songwriters such as Joaquín Sabina and Luis Eduardo Aute. Her collaborations and production choices show knowledge of club culture that converged in venues around Madrid Río, Pacha, Amnesia and festival circuits such as Benicàssim Festival and Primavera Sound.
Alaska's private life has been reported alongside partners and public friendships within Madrid's creative community; she maintained close ties to artists, musicians and television figures from the Movida era and subsequent generations active within Spanish popular culture. She holds dual cultural connections to Mexico and Spain that informed public stances on social issues debated in forums including Cortes Generales cultural discussions, LGBT rights movements linked to activists who staged demonstrations in Madrid Pride and public campaigns with NGOs operating in Madrid and Mexico City. Her interviews have appeared in major Spanish-language publications and broadcasts produced by outlets such as El País, ABC (newspaper), La Vanguardia and cultural programs on Radio Nacional de España.
Alaska's impact is evident in retrospectives of La Movida Madrileña, academic studies in Hispanic studies and citations in histories of Spanish popular music alongside bands and artists like Mecano, Radio Futura, Duncan Dhu, Olé Olé and Los Secretos. Her image and repertoire appear in museum exhibitions of contemporary Spanish culture organized by institutions comparable to Museo Reina Sofía and in curated programs at arts centers such as Matadero Madrid and international showcases at venues in London, New York City and Mexico City. As an icon, she is referenced by new generations of Spanish and Latin American musicians on stages at events promoted by labels and festivals, and her songs continue to be licensed for retrospectives, tribute albums and scholarly anthologies surveying late 20th-century Spanish-language pop and post-punk movements.
Category:Spanish singers Category:Mexican singers Category:Pop musicians