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VS Collective

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VS Collective
NameVS Collective
Founded0 2018
TypeArtistic and activist network
LocationLos Angeles, California, United States
Key peopleMichele Pred, Shannon Finnegan, Carmen Papalia
Websitehttps://vscollective.org

VS Collective. The VS Collective is an interdisciplinary network of artists, designers, and activists focused on creating projects and tools that challenge systemic barriers and promote accessibility and inclusion. Founded in 2018, the group operates at the intersection of contemporary art, disability justice, and social practice, utilizing collaborative making and public engagement to reimagine societal norms. Its work is characterized by a critical approach to technology, public space, and cultural institutions, advocating for a world designed with diverse bodily and cognitive experiences at its core.

History

The VS Collective was established in 2018 by a group of practitioners connected through shared interests in disability culture and critical design. Early formation was influenced by preceding movements like the Disability Rights Movement and collectives such as the Sins Invalid performance project. Initial gatherings and collaborations often took place in Los Angeles, a hub for social practice art, with early support from institutions like the California Institute of the Arts. The collective's name signals an oppositional stance, positioning its work "versus" inaccessible systems and exclusionary practices. Its first major public projects emerged around 2019, responding to issues of museum accessibility and the politics of assistive technology.

Organization and structure

The collective functions as a non-hierarchical, fluid network rather than a formal institution, with a core group of collaborators and a wider circle of affiliates. Operational philosophy is guided by principles of Universal Design and collective leadership, with projects often developed through workshops and open calls. It maintains partnerships with various non-profit organizations, university programs like the University of Southern California, and artist-run centres. Decision-making and resource sharing are intended to model the accessibility it advocates for, frequently incorporating captioning, audio description, and flexible participation methods. Financial support has come from grants by entities such as the Andy Warhol Foundation and the National Endowment for the Arts.

Activities and initiatives

Primary activities include creating accessible artworks, developing open-source tools, and staging public interventions. A flagship project is the "Accessibility Lab," a mobile workshop that tours to events like the Chicago Architecture Biennial to prototype inclusive design solutions. The collective has produced critical guides and kits, such as resources for making protests more accessible, distributed in collaboration with groups like Disability Visibility Project. Other initiatives involve re-designing everyday objects, critiquing surveillance technologies like facial recognition, and creating multi-sensory installations for exhibitions at venues including the Smithsonian Institution. Their work often documents and responds to contemporary crises, addressing issues from COVID-19 pandemic inequities to police brutality.

Notable members and affiliates

Key founding and core members include artist and feminist technologist Michele Pred, known for work on security and the female body; artist Shannon Finnegan, who creates works about rest and access intimacy; and social practice artist Carmen Papalia, who developed the "Open Access" framework for museum accessibility. The network has included collaborators such as designer and writer Aimi Hamraie, author of "Building Access," and artist Park McArthur. It frequently partners with and draws inspiration from activists and scholars like Mia Mingus and the late Stacey Park Milbern, key figures in the disability justice movement.

Impact and reception

The VS Collective has significantly influenced discourse on accessibility within contemporary art and design fields, pushing major institutions to reconsider their policies. Its projects have been featured in publications like The New York Times and Artforum, and presented at forums including the United Nations Conference of States Parties to the Convention on the Rights of Persons with Disabilities. Critical reception often highlights its pragmatic, community-centered approach to activism, distinguishing it from purely symbolic gestures. The collective's advocacy has contributed to tangible changes, such as improved access programs at museums like the Museum of Modern Art and inspired a new generation of artists working at the nexus of art and social justice.

Category:Art collectives Category:Disability rights organizations Category:Organizations based in Los Angeles Category:Organizations established in 2018