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Underworld (band)

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Underworld (band)
Underworld (band)
Torrensmike · CC BY-SA 4.0 · source
NameUnderworld
OriginCardiff, Wales
GenreElectronic, techno, house, alternative dance
Years active1980–present
LabelTommy Boy, Wax Trax!, Junior Boy's Own, V2, Cooking Vinyl, Smith Hyde Productions
Current membersKarl Hyde, Rick Smith
Past membersAlfie Thomas, Bryn Burrows, Baz Allen, Pascal Consoli

Underworld (band). Underworld is a British electronic music group, originally formed in Cardiff in 1980 and later based in Romford, Essex. The band achieved international prominence in the 1990s, particularly for their seminal 1996 single "Born Slippy .NUXX", which was famously featured in the Danny Boyle film Trainspotting. Central to their enduring lineup are core members Karl Hyde and Rick Smith, whose innovative fusion of driving techno rhythms, house grooves, and spoken word vocals has cemented their status as pivotal figures in the evolution of electronic dance music.

History

The group's initial incarnation, formed by Hyde and Smith with guitarist Alfie Thomas, was a new wave and synth-pop act signed to Sire Records in the late 1980s, releasing the album Underneath the Radar. After limited success, the project was reimagined in the early 1990s with a shift towards dance music, leading to the influential Dubnobasswithmyheadman in 1994. This period coincided with the Second Summer of Love and the rise of the UK rave scene, with the band becoming a major live attraction. Their global breakthrough came with the inclusion of "Born Slippy .NUXX" in Trainspotting, soundtracking the 1996 Summer Olympics closing ceremony and propelling the subsequent album Second Toughest in the Infants. Throughout the 2000s and 2010s, they continued to innovate, scoring the opening ceremony for the 2012 Summer Olympics in London and releasing acclaimed albums like Barking and Barbara Barbara, we face a shining future.

Musical style and influences

Underworld's sound is a sophisticated amalgamation of progressive house, trance, ambient, and art rock. Their work is characterized by extended, evolving compositions, propulsive four-on-the-floor beats, and the distinctive stream-of-consciousness vocal delivery of Karl Hyde, often drawing comparisons to Beat generation writers. Key influences include the Krautrock of Kraftwerk and Can, the post-punk of Talking Heads, and the acid house emanating from Chicago and the Haçienda in Manchester. Their production techniques, developed by Rick Smith, heavily utilize sequencers, sampling, and modular synthesis, creating dense, atmospheric soundscapes that have influenced the genres of progressive trance and tech house.

Band members

The definitive and longstanding core of Underworld consists of vocalist and guitarist Karl Hyde and programmer and producer Rick Smith. Early members included guitarist Alfie Thomas and drummer Bryn Burrows. During their initial synth-pop phase, bassist Baz Allen was also part of the lineup. A significant collaborator in their formative dance music years was Darren Emerson, a DJ who joined in 1991 and contributed to their classic trilogy of albums before departing in 2000 to pursue a solo career; other touring musicians have included Pascal Consoli.

Discography

Underworld's catalog is marked by a series of landmark albums that trace the development of electronic music in the 1990s and beyond. Their debut under the new direction, Dubnobasswithmyheadman (1994), is widely regarded as a classic. This was followed by the commercially successful Second Toughest in the Infants (1996) and the more experimental Beaucoup Fish (1999). Later studio albums include A Hundred Days Off (2002), Oblivion with Bells (2007), Barking (2010), and the Grammy Award-nominated Barbara Barbara, we face a shining future (2016). Their prolific single output includes iconic tracks like "Rez", "Cowgirl", and "Dark & Long".

Legacy and impact

Underworld is critically acclaimed as one of the most important and enduring acts in electronic dance music, credited with bringing an album-oriented, artistic depth to the rave culture. Their music has been pivotal in bridging the gap between the club environment and home listening, influencing a wide array of artists across techno, house, and alternative rock. Their groundbreaking live performances, which integrate real-time audio-visual elements, have set a benchmark for electronic acts. Their work for the 2012 Summer Olympics ceremony and contributions to major film soundtracks, including The Beach and Sunshine, have further solidified their cultural significance. The band remains a powerful and active force, continually inspiring new generations of producers on labels like Border Community and through the work of artists such as Jon Hopkins.

Category:British electronic music groups Category:Musical groups established in 1980 Category:Musical groups from Cardiff