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Sometimes a Great Notion

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Parent: Ken Kesey Hop 4
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Sometimes a Great Notion
NameSometimes a Great Notion
AuthorKen Kesey
CountryUnited States
LanguageEnglish
GenreNovel
PublisherViking Press
Release date1964
Pages628
Isbn0-14-004529-1
Preceded byOne Flew Over the Cuckoo's Nest

Sometimes a Great Notion. It is the second novel by acclaimed American author Ken Kesey, published in 1964 by Viking Press. Following his landmark debut, One Flew Over the Cuckoo's Nest, this expansive work shifts its setting from a psychiatric hospital to the logging communities of the Pacific Northwest. The novel is renowned for its complex narrative structure, deep exploration of familial conflict, and its mythic portrayal of a stubborn, independent family defying their entire town.

Plot summary

The story centers on the Stamper family, a fiercely independent clan of loggers in the fictional town of Wakonda, Oregon. The patriarch, Henry Stamper, and his sons, the indomitable Hank Stamper and the intellectual Leland Stamper, become embroiled in a bitter conflict when the local union calls a strike against the powerful Wakonda Pacific lumber company. Defying their neighbors, the Stampers sign a contract to continue working, leading to intense social ostracism and violence. The narrative weaves together multiple perspectives and employs a stream-of-consciousness technique, delving into the fraught relationships between Hank Stamper, his wife Viv Stamper, and his half-brother Leland Stamper, who returns from Stanford University with a simmering resentment. The plot builds toward a tragic climax on the treacherous Wakonda River, testing the family's legendary stubbornness against the forces of nature and community.

Background and publication

Ken Kesey began writing the novel after the success of One Flew Over the Cuckoo's Nest and his experiences with the Merry Pranksters. He drew heavily on his upbringing in Oregon and his intimate knowledge of the logging culture in the Willamette Valley. The manuscript was famously extensive and complex, requiring significant editorial work. It was published in 1964 by Viking Press, solidifying Kesey's reputation as a major literary voice of the American West. The novel's title is derived from the folk song "Goodnight, Irene" by Huddie "Lead Belly" Ledbetter.

Themes and analysis

The novel is a profound study of American individualism clashing with collective action, set against the backdrop of the vanishing frontier. Central themes include the destructive and binding nature of familial legacy, the myth of the American West, and the conflict between tradition and modernity. The Stamper family's defiant stand is often interpreted as a critique of both blind conformity and toxic, isolating pride. Kesey employs sophisticated literary techniques, including shifting narrators and a non-linear timeline, to explore the subjective nature of memory and truth. The wild, imposing landscape of the Pacific Northwest functions as a central character, representing both the source of the characters' identity and an indifferent, punishing force.

Literary significance and reception

Upon its release, the novel received widespread critical acclaim for its ambitious scope and powerful prose, though some reviewers found its structure challenging. It is now considered a cornerstone of Pacific Northwest literature and a significant work of post-war American fiction. Critics often place it within the tradition of great American family sagas, comparing its themes to those in works by William Faulkner and its portrayal of rugged individualism to novels by Jack London. Over time, its reputation has grown, and it is frequently cited as Kesey's masterpiece, even overshadowing his more famous first novel in terms of literary ambition and complexity. It remains a vital text in the study of 20th-century American literature.

Adaptations

The novel was adapted into a major motion picture in 1971, directed by Paul Newman and starring Paul Newman as Hank Stamper, Henry Fonda as Henry Stamper, and Lee Remick as Viv Stamper. The film, which was shot on location in Oregon, received a mixed reception but has since gained a cult following for its strong performances and atmospheric portrayal of the logging environment. To date, there have been no other major film or television adaptations, though the novel's epic scale and dramatic conflicts have led to periodic discussions of a potential miniseries.

Category:1964 American novels Category:Novels by Ken Kesey Category:American family sagas Category:Novels set in Oregon Category:Viking Press books