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Sackler Wing

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Sackler Wing
NameSackler Wing
CaptionThe Temple of Dendur within the Sackler Wing
Established1978
LocationThe Metropolitan Museum of Art, New York City, U.S.
ArchitectKevin Roche, John Dinkeloo
Publictransit86th Street

Sackler Wing. The Sackler Wing is a prominent architectural addition to The Metropolitan Museum of Art in New York City, inaugurated in 1978. Designed by the firm of Kevin Roche and John Dinkeloo, the wing was created to house the ancient Temple of Dendur, a gift from the Arab Republic of Egypt to the United States. It is named for the philanthropic Sackler family, whose donations facilitated its construction, and serves as a major gallery for the museum's extensive collection of Egyptian art.

History

The wing's development was directly tied to the acquisition of the Temple of Dendur, which was dismantled in Egypt to save it from flooding caused by the construction of the Aswan High Dam. Following an act of the United States Congress, the temple was awarded to The Metropolitan Museum of Art in 1965. A fundraising campaign, significantly supported by a donation from Arthur M. Sackler and his brothers Mortimer and Raymond, enabled the museum to construct a dedicated space. The wing opened to the public in 1978, becoming an instant landmark within the institution and a celebrated example of modern museum architecture designed for a specific ancient monument.

Architecture and design

The architectural design by Kevin Roche and John Dinkeloo is a masterful synthesis of modernist principles and contextual sensitivity. The wing is a vast, minimalist glass enclosure that creates a soaring, light-filled atrium for the Temple of Dendur. The structure employs a dramatic curtain wall facing Central Park, offering panoramic views and symbolically connecting the ancient artifact with the natural landscape. A reflecting pool evokes the Nile River, and the use of materials like granite and glass creates a contemplative environment. This innovative design earned significant acclaim and influenced subsequent approaches to displaying large-scale archaeological finds within museum settings.

Collections and exhibitions

The centerpiece of the wing's collection is the meticulously reconstructed Temple of Dendur, a Roman-period monument from the reign of Augustus Caesar. The surrounding galleries house a significant portion of the museum's Department of Egyptian Art, featuring artifacts spanning from the Predynastic period through the Roman era. Notable holdings include statues of Hatshepsut, reliefs from the tomb of Perneb, and a diverse array of hieroglyphic stelae. While the temple is a permanent installation, the adjacent spaces occasionally host special exhibitions focusing on Ancient Nubia, Ptolemaic art, and other themes in Egyptology.

Cultural significance

The Sackler Wing has become an iconic destination within The Metropolitan Museum of Art, renowned for its dramatic presentation of the Temple of Dendur. It functions as a major cultural and educational resource, attracting scholars, tourists, and New Yorkers alike. The space is frequently used for prestigious events, including the annual Met Gala, and has been featured in numerous films and television shows, cementing its status in popular culture. Its design is studied internationally as a paradigm for housing monumental antiquities, balancing preservation, accessibility, and aesthetic impact within a major encyclopedic museum.

Controversies and criticism

In the 2010s, the wing's name became a source of significant controversy due to the association of the Sackler family with Purdue Pharma, the manufacturer of OxyContin. Amid lawsuits and public scrutiny over the company's role in the Opioid epidemic in the United States, the wing, along with other institutions bearing the Sackler name, faced protests from activists like Nan Goldin and her group PAIN (Prescription Addiction Intervention Now). In response to the escalating crisis and pressure, the board of The Metropolitan Museum of Art announced in 2021 that it would remove the Sackler name from the wing, joining other global institutions such as the Louvre and the British Museum in distancing themselves from the family's patronage.