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Premio Duemila

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Premio Duemila
NamePremio Duemila
Awarded forExcellence in Italian television
CountryItaly
PresenterRAI
Year1971
Year21999

Premio Duemila. The Premio Duemila was an Italian television award presented by the national broadcaster RAI to honor outstanding programs and personalities. Established in 1971, it served for nearly three decades as a prestigious industry accolade, recognizing achievements across genres like drama, entertainment, and journalism. Its annual ceremony was a significant event in the Italian media calendar, often broadcast on Rete 1 and later Rai 1.

History

The award was conceived in 1970 by RAI executive Giancarlo Santalmassi and officially launched the following year, coinciding with a period of rapid expansion and cultural influence for Italian television. Initially focused on programs produced for the Secondo Programma network, it later expanded to encompass all RAI channels. The prize's name, translating to "Two Thousand Prize," reflected the futuristic and ambitious spirit of its era, aiming to set a standard for quality into the new millennium. It ran continuously until 1999, when it was discontinued as RAI restructured its internal recognition systems amidst the competitive pressures of Silvio Berlusconi's Mediaset and the rise of private broadcasters like Telemontecarlo.

Format and rules

The competition was typically divided into numerous categories, including fiction, variety shows, documentaries, and children's programming. A jury composed of RAI executives, prominent critics from publications like L'Espresso, and cultural figures would review submissions from the broadcaster's annual output. Winners were awarded a distinctive trophy, often designed by noted artists such as Arnaldo Pomodoro. The rules mandated that only programs originally aired on RAI networks during the preceding television season were eligible, creating an internal benchmark for production quality. Special awards, like the Premio Speciale della Giuria, were occasionally given for lifetime achievement or exceptional cultural merit.

Notable winners

Over its history, the award honored many iconic figures of Italian television. Legendary presenter Mike Bongiorno won multiple times for his work on gameshows like Rischiatutto. Comedian and host Pippo Baudo was a frequent recipient for programs such as Domenica In. In drama, acclaimed productions like La Piovra and miniseries directed by Luigi Perelli were recognized. Journalistic programs like TG1's special reports and the political talk show Tribuna elettorale also received awards. Other distinguished winners included actress Anna Mazzamauro, director Antonio Ricci, and the popular music program Fantastico.

Cultural impact

The Premio Duemila significantly shaped public perception of television quality in Italy, bestowing a mark of prestige that influenced viewer choices and critical discourse. Winning the award could boost the career of a director like Giuseppe Patroni Griffi or solidify the reputation of a program like the satirical news show Blitz. The ceremony itself, often held at venues like the Teatro delle Vittorie in Rome, was a major social and media event, covered extensively by magazines such as Sorrisi e Canzoni TV. It provided a rare moment of self-celebration for RAI during the years of the First Italian Republic, highlighting its role as a cultural institution before the fragmented media landscape of the Second Italian Republic.

Organization and administration

The award was centrally administered by a dedicated committee within RAI's corporate headquarters in Rome, initially under the auspices of the Direzione Centrale Produzione TV. Key administrative figures over the years included managers like Emmanuele Milano and Franco Iseppi. Funding and logistics were handled directly by the broadcaster's budget, with the event coordinated by the Ufficio Stampa and Direzione Entertainment. The administrative structure was periodically revised, notably in the late 1980s under RAI chairman Enrico Manca, to streamline categories and jury selection in response to internal debates about its relevance and criteria.