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Minotaure (magazine)

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Minotaure (magazine)
TitleMinotaure
CaptionCover of the first issue, 1933, designed by Pablo Picasso
EditorAlbert Skira, E. Tériade
CategoryAvant-garde art and literature
FrequencyIrregular
PublisherAlbert Skira
Firstdate1933
Finaldate1939
CountryFrance
LanguageFrench

Minotaure (magazine). A seminal Surrealist review published in Paris between 1933 and 1939, *Minotaure* became a legendary platform for the avant-garde arts. Founded by the Swiss publisher Albert Skira and initially co-edited with E. Tériade, it distinguished itself through luxurious production and a radical interdisciplinary vision. The magazine synthesized Surrealism, psychoanalysis, ethnography, and modern art, featuring groundbreaking contributions from leading artists, writers, and thinkers of the era.

History and founding

The magazine was conceived by Albert Skira, who had previously launched the art journal *L'Art vivant*. Seeking a more ambitious and visually opulent project, Skira partnered with the critic E. Tériade, a former editor of *Cahiers d'Art*, to create a new review. The first issue appeared in June 1933, with financial backing from the wealthy heir and art patron Edward James. Its title, referencing the mythological Minotaur, was chosen to symbolize the publication's exploration of the unconscious and the labyrinthine nature of modern creativity. The founding aligned with a period of intense activity for the Surrealist group, though *Minotaure* maintained editorial independence from the official movement led by André Breton.

Artistic and editorial direction

Under Skira's direction, *Minotaure* was renowned for its high-quality, innovative design and its use of expensive printing techniques, including heliogravure. The editorial philosophy was deliberately eclectic, bridging visual arts, literature, and the human sciences. It published scholarly articles on ethnography from places like New Guinea alongside psychoanalytic texts, reflecting the Surrealist fascination with primitive art and the unconscious mind. The magazine's visual identity was powerfully shaped by its covers, often created by artists like Pablo Picasso, whose design for the first issue became iconic. This synthesis created a unique aesthetic universe that transcended traditional art criticism.

Notable contributors and content

The magazine's roster of contributors was a veritable who's who of the twentieth-century avant-garde. Key Surrealist figures such as André Breton, Salvador Dalí, Max Ernst, René Magritte, and Joan Miró regularly published writings and artworks within its pages. It also featured major artists outside strict Surrealist orthodoxy, including Henri Matisse, Marc Chagall, and Diego Rivera. Writers like Paul Éluard, Georges Bataille, and Roger Caillois contributed essays and poetry. Seminal content included photographic essays by Brassaï on Parisian graffiti, Man Ray's experimental photography, and anthropological studies by Michel Leiris drawn from his mission with the Dakar-Djibouti Mission.

Cultural impact and legacy

*Minotaure* exerted a profound influence on the cultural landscape of the 1930s, becoming a crucial document of pre-war modernist thought. Its interdisciplinary approach helped legitimize Surrealist ideas within broader intellectual discourse and elevated the status of photography and collage as serious art forms. The magazine served as a vital international conduit, spreading avant-garde ideas from Paris to audiences in New York and London. Its legacy endures in the history of art publishing, influencing later magazines such as *VVV* and *View*. Today, complete original sets are highly prized by collectors and institutions like the Museum of Modern Art.

Publication details and run

Published in Paris by Albert Skira, *Minotaure* had an irregular schedule, releasing thirteen numbered issues between 1933 and 1939. Its run was abruptly ended by the outbreak of World War II. Each issue was a substantial folio-sized volume, often exceeding 100 pages, and was noted for its lavish use of color plates and high-quality paper. The final issue, a double number 12-13, appeared in 1939. Despite its brief publication history, the magazine's concentrated output and artistic ambition secured its place as one of the most significant periodicals of the modernist era.

Category:Surrealist magazines Category:Art magazines published in France Category:Publications established in 1933 Category:Publications disestablished in 1939