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Luigi Palma di Cesnola

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Luigi Palma di Cesnola
NameLuigi Palma di Cesnola
CaptionLuigi Palma di Cesnola, c. 1870s
Birth dateJuly 29, 1832
Birth placeRivarolo Canavese, Kingdom of Sardinia
Death dateNovember 20, 1904 (aged 72)
Death placeNew York City, United States
NationalityItalian, American
OccupationSoldier, diplomat, archaeologist, museum director
Known forFirst director of the Metropolitan Museum of Art; Cesnola Collection
SpouseMary Isabel Reid
AwardsMedal of Honor

Luigi Palma di Cesnola was an Italian-American soldier, diplomat, and pioneering archaeologist who became the first director of the Metropolitan Museum of Art in New York City. His career spanned military service in the Crimean War and the American Civil War, where he earned the Medal of Honor, followed by a controversial tenure as the United States Consul to Cyprus. There, he conducted extensive excavations that formed the renowned Cesnola Collection, a cornerstone of the Metropolitan Museum's holdings of Cypriot antiquities. His methods and the authenticity of some artifacts were later questioned, but his role in establishing a major American cultural institution remains significant.

Early life and military career

Luigi Palma di Cesnola was born in Rivarolo Canavese in the Kingdom of Sardinia. He began his military career as a teenager, attending the Royal Military Academy in Turin and serving with the Sardinian Army during the Crimean War. Following the war, he traveled to the United States in 1858, settling in New York City. At the outbreak of the American Civil War, he joined the Union Army, raising and commanding the 11th New York Cavalry Regiment. He saw action in several major campaigns, including the Battle of Gettysburg and the Battle of Trevilian Station. For his "gallant and meritorious services" during the Battle of Aldie, he was awarded the Medal of Honor in 1897. His military service concluded with the rank of colonel.

Diplomatic service and archaeological work

In 1865, President Andrew Johnson appointed Cesnola as the United States Consul to Cyprus, then part of the Ottoman Empire. Stationed in Larnaca, he developed a deep interest in the island's ancient history. Over more than a decade, he conducted large-scale, unsystematic excavations at numerous sites, including Kition, Idalion, and Amathus. These digs, which he financed himself, unearthed a vast trove of artifacts, including terracotta figurines, sculpture, glassware, and the famous Cesnola Aphrodite. He published his findings in the work Cyprus: Its Ancient Cities, Tombs, and Temples. His collection, comprising thousands of objects, was eventually sold to the newly founded Metropolitan Museum of Art in 1872, forming its first major acquisition of classical antiquities.

Director of the Metropolitan Museum of Art

Following the sale of his collection, Cesnola moved to New York City and was appointed the first director of the Metropolitan Museum of Art in 1879, a position he held until his death. He was instrumental in shaping the young institution, overseeing its move to its permanent home in Central Park and aggressively expanding its collections through purchases and donations. He championed the display of classical and Near Eastern art, securing important acquisitions like the Morgan Collection of Egyptian antiquities. His tenure saw the museum's prestige and physical footprint grow substantially, establishing it as a leading cultural force in Gilded Age America. He was also elected a member of the American Philosophical Society in 1884.

Controversies and legacy

Cesnola's legacy is marked by significant controversy regarding his archaeological practices. Contemporary scholars and rivals, such as Austen Henry Layard, criticized his methods as destructive and poorly documented, more akin to treasure hunting than scientific archaeology. More damning were accusations, first published in the New York Herald, that he had restored and "improved" fragmentary sculptures, such as the so-called "Cesnola Aphrodite", and sold them as complete originals. A highly publicized libel trial in 1883 largely vindicated him, but modern analysis has confirmed that extensive restoration was indeed performed on many pieces in the Cesnola Collection. Despite these issues, his foundational role at the Metropolitan Museum of Art is undeniable; he transformed a fledgling museum into a world-class institution. The Cesnola Collection remains a vital, if complex, resource for the study of Cypriot archaeology.

Category:1832 births Category:1904 deaths Category:American archaeologists Category:American Civil War recipients of the Medal of Honor Category:American people of Italian descent Category:Metropolitan Museum of Art people