Julius Harris

Julius Harris. An American character actor renowned for his imposing physical presence and deep, resonant voice, he became a memorable figure in blaxploitation cinema and mainstream Hollywood during the 1970s. His career, spanning over three decades, is defined by iconic roles as formidable villains and authoritative figures in films such as Super Fly and the James Bond film Live and Let Die. Harris's work left a significant mark on the representation of African Americans in film and television.

Early life and education

Born in Philadelphia, he was raised during the Great Depression before his family relocated to Harlem. As a young man, he served in the United States Army during World War II, an experience that profoundly shaped his discipline. Following his military service, he pursued a variety of occupations, including working as a New York City longshoreman, which contributed to his formidable physique. His initial foray into performance arts was through dance, studying under the noted choreographer Katherine Dunham before transitioning to acting.

Career

Harris began his professional acting career relatively late, making his film debut in 1968 with a role in The Lost Man starring Sidney Poitier. His breakthrough came in 1972 with his portrayal of the ruthless drug kingpin Scatter in the seminal blaxploitation film Super Fly, a performance that cemented his status in the genre. That same year, he delivered a powerful performance in the crime film Trouble Man alongside Robert Hooks. His most internationally recognized role arrived in 1973 when he played the villainous Tee Hee in the James Bond film Live and Let Die, opposite Roger Moore. Throughout the 1970s, he remained a prolific presence, appearing in projects like Hell Up in Harlem, Friday Foster, and the cult film The Thing with Two Heads. His later career included notable work in television, with guest appearances on series such as Starsky & Hutch, The A-Team, and Night Court.

Filmography

A selection of his extensive filmography includes *The Lost Man* (1968), *Shaft* (1971) in a supporting role, *Super Fly* (1972), *Trouble Man* (1972), *Live and Let Die* (1973), *Hell Up in Harlem* (1973), *The Thing with Two Heads* (1972), *Friday Foster* (1975), *Which Way Is Up?* (1977), and *Vamp* (1986). His television credits encompass a wide range of popular series, including episodes of Kojak, Good Times, The Rockford Files, Buck Rogers in the 25th Century, and The Fresh Prince of Bel-Air. His final film role was in the 2001 comedy How High.

Personal life

He was married twice, first to Phyllis Walker from 1946 to 1955, and later to Dolores Reed in 1960, with whom he remained until his death. He was the father of three children, including actor and musician Romero Harris. A resident of Los Angeles for many years, he was known within the industry for his professionalism and gentle demeanor off-screen, a stark contrast to many of his on-screen personas. He passed away in 2004 at the Motion Picture & Television Country House and Hospital in Woodland Hills, Los Angeles.

Legacy

Julius Harris is remembered as a pioneering figure whose work during the height of blaxploitation provided substantive roles for Black actors in an evolving Hollywood. His distinctive performances contributed to the genre's cultural impact and commercial success. While often cast for his intimidating stature, he brought a unique gravitas and complexity to characters that might otherwise have been one-dimensional villains. His career trajectory, from breakout roles in American cinema of the 1970s to steady character work in prime time television, illustrates the broader narrative of opportunities for African-American performers in the latter half of the 20th century.

Category:American male film actors Category:American male television actors Category:Blaxploitation actors Category:1923 births Category:2004 deaths