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Jessica Pressler

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Jessica Pressler
NameJessica Pressler
OccupationJournalist, writer
NationalityAmerican
Alma materUniversity of Michigan
Known forInvestigative journalism, feature writing
EmployerNew York Magazine, The Cut
Notable works"The Hustlers at Scores"

Jessica Pressler is an acclaimed American journalist renowned for her incisive feature writing and investigative reporting. A staff writer for New York Magazine and its vertical The Cut, she gained widespread recognition for her 2015 article "The Hustlers at Scores," which inspired a major motion picture. Her work, often exploring themes of ambition, fraud, and gender dynamics in American culture, has appeared in publications like The New York Times and GQ and has been recognized with awards from the Society of Professional Journalists and the Newswomen's Club of New York.

Early life and education

Pressler grew up in Philadelphia and developed an early interest in storytelling. She pursued her higher education at the University of Michigan, where she studied English literature and honed her writing skills. After graduating, she moved to New York City, immersing herself in the media landscape and beginning her path toward a career in journalism, initially taking on various editorial roles.

Career

Pressler's professional journalism career began in earnest at New York Magazine, where she established herself as a sharp and empathetic chronicler of New York City life and beyond. Her reporting often delves into the intricacies of Wall Street, Silicon Valley, and the intersection of money, power, and identity. She has contributed long-form features and profiles to a variety of sections within the magazine, including The Cut, where her work on gender and society is frequently featured. Beyond her primary outlet, her writing has also been published in prominent national platforms such as The New York Times Magazine, Bloomberg Businessweek, and GQ, showcasing her versatility across business, culture, and profile writing.

"The Hustlers at Scores" and cultural impact

Published in December 2015 in New York Magazine, Pressler's article "The Hustlers at Scores" detailed the true story of a group of former strip club dancers who orchestrated a scheme to defraud wealthy Wall Street clients. The piece was a viral sensation, praised for its gripping narrative and complex portrayal of its subjects against the backdrop of the Financial crisis of 2007–2008. The article's significant cultural impact led to a competitive rights auction, and it was adapted into the 2019 feature film Hustlers. Directed by Lorene Scafaria and starring Constance Wu and Jennifer Lopez, the film premiered at the Toronto International Film Festival to critical acclaim, cementing the story's place in contemporary popular culture.

Other notable works

Among her other significant works is the 2018 investigation "Maybe She Had So Much Money She Just Lost Track of It," which examined the mysterious finances of Anna Delvey (Anna Sorokin), a socialite who conned New York's elite. This article for The Cut also achieved widespread attention and was adapted into the Netflix series Inventing Anna, created by Shonda Rhimes. Pressler's portfolio includes the 2014 profile "The Boy in the Shower," about Lehman Brothers executive Joe Gregory, and "The Queen of Versailles," a piece on timeshare magnate David Siegel and his wife Jacqueline Siegel that ran parallel to the documentary of the same name. Her reporting consistently reveals the dramatic human stories within worlds of extreme wealth and ambition.

Awards and recognition

Pressler's journalism has earned several prestigious honors. She received the Front Page Award from the Newswomen's Club of New York for her groundbreaking work on the Anna Delvey story. Her body of work has also been recognized by the Society of Professional Journalists with a Sigma Delta Chi Award. The film adaptation of "The Hustlers at Scores" brought further accolades, with the movie receiving nominations at the Critics' Choice Movie Awards and the Independent Spirit Awards, highlighting the enduring power of her original reporting.

Category:American journalists Category:University of Michigan alumni Category:21st-century American women writers