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Hilla von Rebay

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Parent: Guggenheim Museum Hop 4
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Hilla von Rebay
NameHilla von Rebay
CaptionHilla von Rebay, c. 1930
Birth nameHildegard Anna Augusta Elisabeth Freiin Rebay von Ehrenwiesen
Birth date31 May 1890
Birth placeStrasbourg, German Empire
Death date27 September 1967
Death placeGreens Farms, Connecticut, United States
NationalityGerman, later American
Known forCo-founding the Solomon R. Guggenheim Museum, Non-objective art advocacy
EducationAcadémie Julian, Cologne School of Architecture
OccupationArtist, curator, museum director

Hilla von Rebay was a pivotal German-American artist, curator, and passionate advocate for non-objective art, best known as the founding director and curator of the Museum of Non-Objective Painting, which later became the Solomon R. Guggenheim Museum. Her close artistic and personal relationship with the philanthropist Solomon R. Guggenheim was instrumental in forming one of the world's most significant collections of modern art. Rebay's vision and relentless promotion of artists like Wassily Kandinsky, Rudolf Bauer, and Piet Mondrian fundamentally shaped the institution's iconic identity and its revolutionary building designed by Frank Lloyd Wright.

Early life and education

Born into an aristocratic family in Strasbourg, then part of the German Empire, Hildegard Anna Augusta Elisabeth Freiin Rebay von Ehrenwiesen was raised in a culturally rich environment. She pursued formal art training in Paris at the Académie Julian and also studied at the Cologne School of Architecture, developing a foundation in both fine and applied arts. During this formative period, she was exposed to emerging modernist movements, traveling through cultural centers like Munich and Berlin, where she began to form the avant-garde sensibilities that would define her career.

Artistic career

Rebay established herself as a successful portraitist and collage artist, exhibiting her work in major European cities including Berlin, Munich, and Zurich. Her style evolved significantly after encountering the work of Wassily Kandinsky and the principles of Der Blaue Reiter, leading her to fully embrace non-objective abstraction. She became an active participant in the international avant-garde, associating with key figures like Jean Arp and Sophie Taeuber-Arp, and her own abstract compositions were shown in important exhibitions such as the Société Anonyme in New York City.

Role in founding the Museum of Non-Objective Painting

Rebay's most enduring legacy was her central role in conceiving and establishing the Museum of Non-Objective Painting in New York City in 1939. As its first director and curator, she implemented a radical vision, displaying works from the Solomon R. Guggenheim collection in a serene, chapel-like environment to promote spiritual contemplation. She aggressively acquired works by pioneers of abstraction, building the museum's holdings around masters like Kandinsky, Rudolf Bauer, Piet Mondrian, and Robert Delaunay. Her ambitious plans for a permanent home for the collection led directly to the commission of Frank Lloyd Wright to design an iconic spiral structure.

Relationship with Solomon R. Guggenheim

Rebay first met the industrialist and art collector Solomon R. Guggenheim in 1927, quickly becoming his trusted art advisor and close companion. She introduced him to the world of European avant-garde art, particularly non-objective painting, and guided his acquisitions with fervent conviction. Their partnership resulted in the 1937 founding of the Solomon R. Guggenheim Foundation, established to promote modern art. Though their personal relationship was complex and sometimes controversial, her influence was absolute in forming the initial collection and defining the philosophical mission of the future Guggenheim Museum.

Later life and legacy

After Solomon R. Guggenheim's death in 1949 and the subsequent ascendancy of Harry F. Guggenheim to leadership, Rebay was gradually sidelined and ultimately resigned from the museum in 1952. She spent her later years in Greens Farms, Connecticut, continuing to paint and advocate for spiritual abstraction. Posthumously, her critical role has been widely reassessed and celebrated through major retrospectives at institutions like the Solomon R. Guggenheim Museum and the Museum of Fine Arts, Boston. The Hilla von Rebay Foundation archives at the Guggenheim Museum ensure the preservation and study of her extensive correspondence and artistic contributions.

Category:1890 births Category:1967 deaths Category:American art collectors Category:American curators Category:German emigrants to the United States Category:Guggenheim family