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Gospel of Nicodemus

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Gospel of Nicodemus
Also known asActs of Pilate
LanguageGreek
Date4th–5th century AD
GenrePassion narrative, Apocrypha
ThemeTrial, crucifixion, and resurrection of Jesus
RelatedNew Testament apocrypha

Gospel of Nicodemus. Also known as the Acts of Pilate, it is a significant apocryphal text that expands upon the passion, crucifixion, and resurrection of Jesus from the perspective of Pontius Pilate and other figures. The work is not part of the New Testament canon but was influential in Christian medieval thought and art, providing elaborate details about Christ's descent into hell and the trial before the Sanhedrin. It exists in multiple linguistic versions, including Greek, Latin, and various vernacular translations from the Middle Ages.

Title and manuscripts

The text is most commonly known by its traditional title, though it is equally referenced as the Acts of Pilate. This alternate name reflects its purported focus on the official records of the Roman prefect during the trial of Jesus of Nazareth. The earliest surviving manuscripts are in Greek, with significant recensions also existing in Latin, Syriac, Coptic, and Armenian. Key manuscript witnesses include the Codex Einsidlensis and other medieval codices preserved in libraries like the Bibliothèque nationale de France. The textual tradition is complex, with a shorter Greek version and a more expanded Latin version that incorporates the Descensus ad Inferos narrative.

Content and structure

The narrative is typically divided into two main parts: the Acts of Pilate proper and the Harrowing of Hell. The first section provides a detailed, pro-Christian account of the trial before Pontius Pilate, involving testimonies from witnesses like Nicodemus and Joseph of Arimathea, and includes miracles such as the healing of the Centurion's servant. It describes the crucifixion at Golgotha and the subsequent sealing of the tomb by orders of the Sanhedrin. The second part, often titled the Descensus Christi ad Inferos, dramatizes Christ's victory over Hades, featuring dialogues with Satan, the liberation of righteous figures like Adam, Abraham, and John the Baptist, and is presented as a report by Simeon's sons resurrected from the dead.

Origins and dating

Scholars generally agree the text was composed in the 4th or early 5th century AD, though it purports to be a 1st-century document authored by Nicodemus the Pharisee. Its creation is often linked to apologetic efforts during the reign of Constantine, possibly as a response to anti-Christian polemics like the purported Acts of Pontius Pilate circulated under Emperor Maximinus Daia. The earliest certain references to it appear in the writings of Epiphanius of Salamis and in the decrees of the Gelasian Decree, which labeled it as apocryphal. The Harrowing of Hell section likely originated as a separate composition before being appended to the main text.

Relationship to canonical gospels

The text explicitly supplements and elaborates upon events briefly mentioned in the Gospels of Matthew, Mark, Luke, and John. It fills narrative gaps, such as the specifics of the trial before the Sanhedrin and the nature of Christ's descent into the realm of the dead, a concept alluded to in 1 Peter and the Apostles' Creed. While it echoes characters like Pontius Pilate, Herod Antipas, and Joseph of Arimathea from the New Testament, it introduces new dialogues, legal proceedings, and supernatural events not found in the canonical accounts, reflecting later theological and devotional developments.

Influence and later traditions

The Gospel of Nicodemus had a profound impact on Western and Eastern Christian traditions, particularly during the Middle Ages. Its vivid depiction of the Harrowing of Hell became a central theme in medieval art, mystery plays, and literature, influencing works like Dante's Divine Comedy and the English mystery cycles. Elements from its narrative were incorporated into the Legenda Aurea of Jacobus de Voragine and various Byzantine liturgical texts. Its portrayal of Pontius Pilate as a sympathetic figure also contributed to later hagiographical traditions, including spurious accounts of his correspondence with Emperor Tiberius.

Category:New Testament apocrypha Category:Passion of Jesus in literature