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Georges Braque

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Georges Braque
NameGeorges Braque
CaptionBraque in 1908
Birth date13 May 1882
Birth placeArgenteuil, Val-d'Oise, France
Death date31 August 1963
Death placeParis, France
NationalityFrench
FieldPainting, Drawing, Sculpture, Printmaking
MovementCubism, Fauvism
Notable worksHouses at L'Estaque, Violin and Candlestick, Woman with a Guitar
AwardsLégion d'honneur

Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most significant contribution was his role in the development of Cubism, alongside Pablo Picasso, fundamentally altering the course of modern art. Braque's work is characterized by a restrained palette, a focus on structure and form, and innovations such as papier collé. His career spanned several artistic movements, leaving a profound legacy on subsequent generations of artists.

Early life and education

Born in Argenteuil, a town associated with the Impressionists, he moved with his family to Le Havre in 1890. Following in the footsteps of his father and grandfather, he trained as a house painter and decorator, an experience that instilled a lifelong appreciation for craftsmanship and materials. He concurrently studied artistic painting at the École des Beaux-Arts in Le Havre before moving to Paris in 1900. In the capital, he apprenticed with a decorator and briefly attended the Académie Humbert, where he met fellow painters Marie Laurencin and Francis Picabia.

Fauvism and early work

Braque's early work was influenced by the loose brushwork of Impressionism and the structured forms of Paul Cézanne, whose 1907 retrospective at the Salon d'Automne was pivotal. By 1905, he had adopted the vibrant, non-naturalistic colors of Fauvism, a movement led by Henri Matisse and André Derain. His Fauvist paintings, such as those created during a 1906 trip to Antwerp and L'Estaque, were exhibited at the Salon des Indépendants. A crucial encounter occurred in 1907 when the art dealer Daniel-Henry Kahnweiler purchased his entire studio, providing financial stability and introducing him to the circle that included Guillaume Apollinaire and, most importantly, Pablo Picasso.

Cubism

Viewing Les Demoiselles d'Avignon at Picasso's studio was a transformative shock for Braque, leading to a close collaborative partnership from 1908 to 1914, a period often described as "the hermetic" phase of Cubism. Together, they developed Analytic Cubism, deconstructing objects into geometric facets and limiting their palette to muted tones of brown, gray, and green, as seen in works like Houses at L'Estaque. Braque then pioneered Synthetic Cubism, introducing foreign materials like wallpaper and newspaper into his compositions, creating the first papier collé (pasted paper) in 1912 with Fruit Dish and Glass. This innovation blurred the line between painting and reality. His service in World War I, where he suffered a severe head wound in the Battle of the Somme, interrupted this fertile period.

Later work and legacy

After convalescing, Braque developed a more independent, refined style, moving away from the fragmentation of high Cubism. His work often featured still lifes, interiors, and a recurring motif of the "bird in flight," seen in commissions for the ceiling of the Etruscan room at the Louvre. He also produced significant graphic work, book illustrations, and sculptures in bronze. Major retrospectives of his work were held at the Kunsthalle Basel in 1933 and later at major institutions like the Museum of Modern Art. His influence extended to numerous movements, including Purism, Orphism, and later Abstract Expressionism. He was awarded numerous honors, including the main painting prize at the Venice Biennale in 1948.

Personal life

In 1912, Braque married Marcelle Lapré, who remained his lifelong companion. The couple divided their time between their apartment in Paris and their home in Varengeville-sur-Mer, a coastal village in Normandy that inspired many of his later landscapes. A man of quiet and methodical temperament, he was known for his deep interest in music, playing the flute and accordion, and was an avid reader of philosophy and poetry. He maintained friendships with figures like the poet Pierre Reverdy and the composer Erik Satie. Braque died in Paris in 1963 and was accorded a state funeral, with eulogies delivered by figures like André Malraux, the French Minister of Culture.

Category:French painters Category:Cubist artists Category:1882 births Category:1963 deaths