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East Building, National Gallery of Art

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Parent: I. M. Pei Hop 3
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East Building, National Gallery of Art
NameEast Building
CaptionThe East Building from the National Mall
LocationWashington, D.C., United States
Coordinates38, 53, 29, N...
ArchitectI. M. Pei
ClientNational Gallery of Art
Completion date1978
Opened01 June 1978
Floor area604,000 sq ft
Websitehttps://www.nga.gov/visit/east-building.html

East Building, National Gallery of Art. It is a modernist landmark on the National Mall in Washington, D.C., housing the museum's collection of modern and contemporary art. Designed by the renowned architect I. M. Pei, the structure was completed in 1978 and is celebrated for its striking geometric form and innovative use of space. The building serves as a dynamic counterpart to the original West Building, expanding the institution's mission into the 20th and 21st centuries.

History and design

The project was initiated by Paul Mellon, president of the National Gallery of Art's board of trustees, who secured the site from the United States Congress. Mellon selected I. M. Pei for the commission, a decision influenced by Pei's successful work on the John F. Kennedy Presidential Library and Museum. The design process involved extensive study of the trapezoidal plot of land bordered by Pennsylvania Avenue and Madison Drive. Pei's solution, famously sketched on a napkin, divided the site into an isosceles triangle for the main galleries and a smaller right triangle for an administrative wing, connected by a central atrium. Key collaborators included structural engineer Leslie E. Robertson and landscape architect Daniel Urban Kiley. The building was constructed with funding from the Mellon family and opened to the public on June 1, 1978.

Architecture

The architecture is defined by its dramatic use of sharp angles and geometric purity, constructed primarily from the same Tennessee marble as the West Building to create visual harmony. The most iconic feature is the vast, light-filled atrium, spanned by a soaring space-frame ceiling and anchored by a large mobile, *Untitled*, by Alexander Calder. Circulation is facilitated by suspended walkways and a monumental staircase, while natural light is carefully modulated through a system of baffles and clerestories. The interior gallery spaces are flexible, ranging from intimate rooms to expansive halls suitable for large-scale installations. The building's plaza features a triangular fountain and a series of sculptures, including Henry Moore's *Knife Edge Mirror Two Piece*.

Collections and exhibitions

The building houses the National Gallery's collection of modern and contemporary art, with major holdings of works by Pablo Picasso, Henri Matisse, Jackson Pollock, and Mark Rothko. Its permanent collection includes seminal pieces like Picasso's *Family of Saltimbanques* and Rothko's *Four Darks in Red*. The Tower Gallery displays works from the Collection of Mr. and Mrs. Paul Mellon, featuring impressionist and post-impressionist masters. It has hosted landmark temporary exhibitions such as *The Treasure Houses of Britain* and retrospectives for artists like Georgia O'Keeffe and Jasper Johns. The building also contains the Gallery's modern sculpture galleries and the Center for Advanced Study in the Visual Arts.

Renovation and expansion

A major renovation and expansion project, led by architects Pei Cobb Freed & Partners, was undertaken from 2011 to 2016. The primary goal was to refurbish aging infrastructure and create new gallery and public spaces within the existing footprint. The project added the 12,250-square-foot **Tower Gallery** on the former fourth-floor office mezzanine, providing dedicated space for the Mellon collection. Critical systems for climate control, security, and lighting were comprehensively updated. The renovation also enhanced visitor amenities, including a new entrance from the 4th Street pedestrian plaza and a redesigned garden cafe. The project was completed with a meticulous effort to preserve Pei's original architectural vision.

Significance and reception

Upon its opening, the building was hailed as a masterpiece of late modernist architecture and a transformative addition to the cultural landscape of the National Mall. Architecture critic Ada Louise Huxtable of *The New York Times* praised it as a "triangular tour de force." It received the prestigious Twenty-five Year Award from the American Institute of Architects in 2004. The building significantly elevated the museum's profile in modern art, allowing it to compete with institutions like the Museum of Modern Art and the Art Institute of Chicago. Its innovative design has influenced museum architecture worldwide, and it remains a pivotal venue for experiencing post-1900 art within the federal capital.

Category:National Gallery of Art Category:Buildings and structures in Washington, D.C. Category:Museums established in 1978