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Copyright Duration Directive

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Parent: Berne Convention Hop 4
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Copyright Duration Directive
TitleDirective harmonising the term of protection of copyright and certain related rights
Number93/98/EEC
Made byCouncil of the European Union
Made underTreaty of Rome
JournalOfficial Journal of the European Communities
Date made29 October 1993
Date commenced1 July 1995
Repealed byDirective 2006/116/EC

Copyright Duration Directive. This key piece of European Union legislation, formally known as Directive 93/98/EEC, was enacted to standardize the duration of copyright and related rights across the European Economic Area. It established a general term of protection for authors lasting seventy years after their death, harmonizing previously disparate national laws from countries like the United Kingdom, Germany, and France. The directive also addressed terms for phonograms, films, and unpublished works, significantly impacting the public domain and cultural heritage access.

Background and legislative history

Prior to the directive, copyright terms within the European Community were highly fragmented, creating barriers to the internal market for creative goods. Nations such as Germany and France already had longer terms based on the life of the author, while the United Kingdom followed the Berne Convention minimum of fifty years post-mortem. The push for harmonization gained momentum following the Maastricht Treaty and was driven by the European Commission's desire to reduce distortions of competition. Key legal foundations included Article 95 of the EC Treaty, and the final text was adopted by the Council of the European Union after negotiations with the European Parliament.

Key provisions and amendments

The directive's central provision extended the standard copyright term to seventy years after the death of the author, aligning with the longest existing terms in members like Austria. For cinematographic or audiovisual works, the term was set at seventy years after the death of the last surviving among the principal director, author of the screenplay, author of the dialogue, and composer of music specifically created for the work. Protection for phonograms was set at fifty years from fixation or publication. A critical rule calculated the term uniformly across the European Union, regardless of the country of origin. It was later codified and amended by Directive 2006/116/EC, which introduced specific provisions for musical compositions with words.

Implementation and harmonization

Member states were required to transpose the directive into national law by 1 July 1995. This process led to significant legal revisions in countries including the United Kingdom, which enacted the Duration of Copyright and Rights in Performances Regulations 1995. A major harmonization effect was the revival of copyright in works that had fallen into the public domain in some states but were still protected in others, a concept known as "comparison of terms." The directive also necessitated adjustments in national institutions like the Deutsches Patent- und Markenamt and influenced practices at archives such as the British Library.

Impact and criticism

The directive had a profound impact on the entertainment industry, particularly benefiting major film studios like The Walt Disney Company and record labels by extending control over classic works. It delayed the entry of early-20th-century works by figures like James Joyce and Virginia Woolf into the public domain in many jurisdictions. Critics, including scholars like Lawrence Lessig and organizations such as the Electronic Frontier Foundation, argued it stifled creativity and restricted access to cultural heritage without clear economic evidence. The "Mickey Mouse Protection Act" in the United States is often compared to this extension.

The directive is a cornerstone of European Union copyright law, closely linked to the Information Society Directive and the Enforcement Directive. It implemented aspects of the Rome Convention and influenced later treaties like the WIPO Copyright Treaty. Its term extensions created alignment discussions with major trading partners, notably the United States following the Sonny Bono Copyright Term Extension Act. Subsequent reforms, including the Directive on Copyright in the Digital Single Market, have built upon this framework, while organizations like the World Intellectual Property Organization continue to monitor its global implications. Category:European Union directives Category:Copyright law of the European Union Category:1993 in law