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Closer (film)

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Closer (film)
NameCloser
CaptionTheatrical release poster
DirectorMike Nichols
ProducerCary Brokaw, John Calley, Mike Nichols
ScreenplayPatrick Marber
Based onCloser, Patrick Marber
StarringJulia Roberts, Jude Law, Natalie Portman, Clive Owen
MusicMichele Colombier
CinematographyStephen Goldblatt
EditingJohn Bloom, Antonia Van Drimmelen
StudioColumbia Pictures, Mirage Enterprises
DistributorSony Pictures Releasing
Released2004, 12, 3, United States
Runtime104 minutes
CountryUnited States
LanguageEnglish
Budget$27 million
Gross$115.5 million

Closer (film). *Closer* is a 2004 American drama film directed by Mike Nichols and adapted by Patrick Marber from his own West End and Broadway play. The film features an ensemble cast led by Julia Roberts, Jude Law, Natalie Portman, and Clive Owen, exploring the brutal dynamics of love, betrayal, and intimacy among two couples in London. A critical and commercial success, it is noted for its sharp dialogue, intense performances, and unflinching examination of modern relationships.

Plot

The narrative follows the intersecting lives of four strangers in London: obituary writer Dan, photographer Anna, dermatologist Larry, and former stripper Alice. After a chance meeting between Dan and Alice, they begin a relationship, while Dan becomes infatuated with Anna after she photographs him for his book jacket. Dan initiates an online deception, posing as Anna in a chat room to lure Larry, which sets off a chain of infidelities and confrontations. The story unfolds over several years, structured around pivotal, often cruel conversations in locations like the London Aquarium and New York City, where the characters trade partners and brutally dissect their desires and deceptions.

Cast

The principal cast features Jude Law as Dan Woolf, a charming but manipulative writer; Natalie Portman as Alice Ayres, an enigmatic young woman with a secret past; Julia Roberts as Anna Cameron, a successful but conflicted photographer; and Clive Owen as Larry Gray, a blunt and cynical dermatologist. Supporting roles include Colin Stinton as the customs official and Nick Hobbs as the taxi driver. The performances, particularly those of Portman and Owen, received widespread acclaim, with Owen winning a Golden Globe Award and BAFTA Award and Portman earning an Academy Award nomination.

Production

The film is an adaptation of Patrick Marber's acclaimed 1997 play, which premiered at the Royal National Theatre before successful runs in the West End and on Broadway. Director Mike Nichols, known for *Who's Afraid of Virginia Woolf?*, was drawn to the material's verbal ferocity. Principal photography took place entirely on location in London and New York City over a concise schedule. Cinematographer Stephen Goldblatt utilized a naturalistic visual style, while the score was composed by Michele Colombier.

Release

*Closer* premiered in the United States on December 3, 2004, distributed by Sony Pictures Releasing under its Columbia Pictures banner. Its release strategy capitalized on awards season buzz, following screenings at festivals like the New York Film Festival. The film was later released in the United Kingdom and other international markets in early 2005. Marketing emphasized the star power of its cast and the provocative nature of its story, with the tagline "If you believe in love at first sight, you never stop looking."

Reception

The film garnered positive reviews from critics, who praised its intelligent script, direction by Mike Nichols, and the powerful performances of its ensemble. It grossed over $115 million worldwide against a $27 million budget. On the awards circuit, Clive Owen won the Golden Globe Award for Best Supporting Actor and a BAFTA Award for Best Actor in a Supporting Role, while Natalie Portman received an Academy Award nomination and a Golden Globe nomination. Review aggregator Rotten Tomatoes reports a 68% approval rating, with consensus noting its "acerbic" and "well-acted" portrayal of relationships.

Themes and analysis

The film is a stark analysis of emotional violence, sexual politics, and the impossibility of true intimacy in the modern age. Central themes include the performative nature of identity, explored through Alice's name change and Dan's online persona, and the corrosive power of truth versus the comfort of lies. Critics often compare its dialogue to the works of Harold Pinter and note its Lacanian undertones regarding desire and lack. The setting of London serves as a cold, anonymous backdrop for the characters' games, emphasizing the disconnect between their polished public selves and private cruelties.

Category:2004 films Category:American drama films Category:Mike Nichols films Category:Films based on plays Category:Columbia Pictures films