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CD+G

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Article Genealogy
Parent: Compact Disc Hop 3
Expansion Funnel Raw 44 → Dedup 16 → NER 7 → Enqueued 7
1. Extracted44
2. After dedup16 (None)
3. After NER7 (None)
Rejected: 9 (not NE: 9)
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CD+G
NameCD+G
TypeOptical disc data storage
EncodingPulse-code modulation (audio), Run-length limited (graphics)
CapacityUp to 74 minutes audio, ~20 MB graphics data
Read780 nm semiconductor laser
StandardRed Book (CD standard)
OwnerPhilips, Sony
UseKaraoke, interactive media
Released1985

CD+G. CD+G (Compact Disc + Graphics) is an extension of the standard Red Book Compact Disc Digital Audio format, enabling the storage of simple graphical data alongside audio on a standard optical disc. Primarily developed for the karaoke market, the format utilizes unused subcode channels in the Pulse-code modulation data stream to encode limited visual information, such as song lyrics and basic animations. While it saw niche success in dedicated consumer players and some early interactive media experiments, it was ultimately superseded by more advanced formats like CD-i and DVD-Video.

Overview

The format was conceived as a method to add value to the standard audio CD by leveraging control bits within the subcode that were not used for musical playback. This allowed manufacturers to create discs that could display synchronized lyrics on a television screen when played on a compatible device, a feature that found its primary application in the home karaoke industry. Companies like Pioneer and JVC released dedicated CD+G players, and several music labels, including Warner Bros., produced discs featuring artists like Madonna and The J. Geils Band. The graphical capability, while limited to a palette of 16 colors from a total of 4096 and a low resolution, was sufficient for displaying scrolling text and simple, blocky images, creating an interactive experience beyond mere audio.

Technical specifications

The technical foundation of the format lies within the Red Book (CD standard)'s subcode channels, specifically the R through W channels which are normally zeroed out in standard audio CDs. These channels provide a data stream of roughly 16 kilobits per second for graphics. The graphical data is encoded using a form of run-length limited encoding, defining tiles of 6x12 pixels. The system can display up to 16 colors simultaneously on screen from a CLUT of 4096 colors, with a maximum display resolution of 288×192 pixels. Decoding requires specialized hardware or software to interpret the subcode data, separate the graphical instructions, and composite the image with the standard Pulse-code modulation audio being sent to the Digital-to-analog converter.

Applications and usage

The most widespread and successful application was unquestionably in the karaoke industry, where companies like Pioneer and Memorex sold millions of players and discs throughout the late 1980s and 1990s. Beyond karaoke, the format saw some use in interactive music discs for children, such as those from the Sesame Street franchise, and in promotional materials from bands like Dire Straits. Some early video game consoles, such as the Commodore CDTV and the Sega Mega Drive with the Sega CD add-on, could read CD+G discs, though software support was minimal. The format was also briefly used for limited interactive media titles and as a novel feature on some music compilation albums.

History and development

The format was jointly developed by Philips and Sony as part of their ongoing collaboration on Compact Disc standards, with the specification finalized around 1985. It emerged during a period of experimentation with enhancing the Red Book (CD standard) for multimedia purposes, alongside other proposed extensions like CD-MIDI. While it garnered initial interest, the graphical limitations were quickly outpaced by the rise of full-motion video standards like MPEG-1 and dedicated interactive media platforms such as Philips' own CD-i. The introduction of the DVD-Video format in the late 1990s, with its superior storage and full-motion video capabilities, rendered the format obsolete for commercial karaoke and entertainment applications, though a niche community of enthusiasts persists.

Comparison with other formats

Compared to true multimedia formats like CD-i and CD-ROM XA, CD+G was extremely limited, offering no digital video, limited color, and no sophisticated interactivity. It was less capable than the contemporaneous Laserdisc format used in commercial karaoke systems, which could store analog video. However, it had the significant advantage of using inexpensive, standard Compact Disc manufacturing processes. Later formats like VCD (Video CD) and DVD-Video completely superseded it by offering full-screen, full-motion digital video with MPEG-2 compression. Within the ecosystem of Red Book (CD standard) extensions, it was more successful than the similar but less supported CD-Text format for displaying text on player displays, but far less impactful than the Yellow Book (CD standard) which defined the CD-ROM.