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Bernard Herrmann

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Parent: Hitchcock (film) Hop 4
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Bernard Herrmann
NameBernard Herrmann
CaptionHerrmann in 1971
Birth date29 June 1911
Birth placeNew York City, U.S.
Death date24 December 1975
Death placeLos Angeles, California, U.S.
OccupationComposer, conductor
Years active1934–1975
SpouseLucille Fletcher (1939–1948), Lucy "Kiki" Anderson (1949–1964), Norma Shepherd (1967–1975)
Notable worksCitizen Kane, Psycho, Vertigo, North by Northwest, Taxi Driver

Bernard Herrmann was an American composer and conductor renowned for his pioneering work in film music. His innovative scores, characterized by their psychological depth and distinctive orchestration, fundamentally shaped the sound of cinema in the mid-20th century. Herrmann forged legendary partnerships with directors like Orson Welles and Alfred Hitchcock, creating some of the most iconic soundtracks in history. His influential career spanned over four decades, leaving an indelible mark on both Hollywood and the broader landscape of classical music.

Early life and career

Born in New York City, he displayed musical talent early, winning a composition prize at New York University before studying at the Juilliard School under Bernard Wagenaar. His professional break came in 1934 when he joined the Columbia Broadcasting System (CBS) as a staff conductor and composer for its radio network. There, he worked extensively with the Columbia Workshop and the Mercury Theatre on the Air, composing and conducting for hundreds of programs. This period honed his dramatic instincts and led to significant collaborations, including his first work with a young Orson Welles on the infamous 1938 broadcast of The War of the Worlds. His concert works from this era, such as the cantata Moby Dick, also began to attract critical attention.

Collaboration with Orson Welles and Citizen Kane

His partnership with Orson Welles culminated in the landmark 1941 film Citizen Kane, which marked his debut in motion pictures. Rejecting the prevailing style of Romantic leitmotifs, Herrmann crafted a score of unprecedented narrative integration, using innovative techniques like chromaticism and short, stark motifs to mirror the protagonist's psychology. He also composed the music for Welles's subsequent film, The Magnificent Ambersons, though much of his score was cut or rescored by the RKO studio. Despite this setback, his work on Citizen Kane established him as a major new voice in film scoring and earned him an Academy Award nomination.

Partnership with Alfred Hitchcock

Herrmann's most famous collaboration began with The Trouble with Harry in 1955, launching a decade-long creative partnership with master of suspense Alfred Hitchcock. He composed a series of seminal scores that became integral to Hitchcock's vision, including Vertigo, North by Northwest, and Psycho. For Vertigo, he created a haunting, obsessive score using a unique combination of harps, strings, and celesta, while the shrieking violins of the Psycho shower scene are among the most recognizable sounds in film history. Their partnership fractured during the making of Torn Curtain, when Hitchcock rejected Herrmann's score, leading to a permanent professional rift.

Later film and television work

Following the break with Hitchcock, Herrmann continued to produce notable work for both cinema and television. He composed acclaimed scores for films such as François Truffaut's Fahrenheit 451 and Brian De Palma's Sisters and Obsession. His music was also featured prominently in the CBS television series The Twilight Zone, for which he composed the iconic main title theme. His final completed score was for Martin Scorsese's gritty New Hollywood masterpiece Taxi Driver, recorded just hours before his death in 1975.

Musical style and legacy

Herrmann's style was defined by his emphasis on mood and psychology over traditional melody, often employing unusual instrumental groupings, such as the all-string orchestra for Psycho or the electronic theremin in The Day the Earth Stood Still. He frequently utilized ostinato patterns and complex harmonies drawn from early 20th-century composers like Charles Ives and Igor Stravinsky. His legacy is profound, influencing generations of film composers including John Williams, Danny Elfman, and Hans Zimmer. Herrmann is widely regarded as one of the most original and important figures in the history of film music, with his work continuing to be studied and performed in concert halls worldwide.

Category:American film composers Category:1911 births Category:1975 deaths