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Battersea Power Station

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Battersea Power Station
Battersea Power Station
NameBattersea Power Station
CaptionThe station viewed from the River Thames
LocationBattersea, London
Coordinates51, 28, 54, N...
StatusDecommissioned; redeveloped
Construction began1929
Commissioned1933 (Station A), 1953 (Station B)
Decommissioned1975 (Station A), 1983 (Station B)
OwnerBattersea Power Station Development Company
ArchitectSir Giles Gilbert Scott
Ps units manuMetropolitan-Vickers
Ps electrical capacity503 MW (max)

Battersea Power Station is a decommissioned coal-fired power station located on the south bank of the River Thames in Battersea, London. It is one of the world's largest brick buildings and a renowned example of Art Deco industrial design. After closing in 1983, the structure fell into disrepair before a major mixed-use redevelopment began in the 21st century. The station remains an iconic London landmark, famous for its four distinctive white chimneys and frequent appearances in popular culture.

History

The station was built in two phases, with the first section, known as Station A, constructed by the London Power Company beginning in 1929. It first supplied electricity to the London electricity network in 1933, with its official opening attended by then-Prime Minister Stanley Baldwin. Station B, an identical extension to the east, was completed after the interruption of World War II, becoming operational in 1953. The facility was a central part of the National Grid, but the high cost of cleaning its emissions and the move away from coal in the 1970s energy crisis led to its decline. Station A closed in 1975, with the entire site ceasing generation in 1983 under the state-owned Central Electricity Generating Board.

Design and architecture

The station's external design and iconic silhouette were the work of renowned architect Sir Giles Gilbert Scott, who also designed the Liverpool Cathedral and the iconic British K2 telephone box. The interior turbine hall and Art Deco fittings were designed by the company's architects, J. Theo Halliday and S. Leonard Pearce. The building is celebrated for its monumental brick construction, lavish use of polished marble and wrought iron, and the four 337-foot chimneys arranged in a single line. This configuration was a unique engineering solution to disperse fumes and reduce ground-level pollution, influenced by the work of Dr. S. L. Pearce. The design earned it the nickname "The Cathedral of Power".

Redevelopment

Following decades of failed proposals, including schemes by Alton Towers owners and plans for a theme park, the derelict structure was purchased in 2012 by a Malaysian consortium comprising SP Setia, Sime Darby, and later the Employees Provident Fund. The £9 billion redevelopment, masterplanned by architects Rafael Viñoly and WilkinsonEyre, created a mixed-use district with residential, office, and retail space. Key tenants include Apple Inc., which occupies the central boiler house as its London campus. The project involved painstaking restoration of the original fabric, including rebuilding the chimneys using the original methods, and opened to the public in 2022.

Cultural impact

The building's striking image has made it a fixture in popular culture. It features prominently on the cover of Pink Floyd's 1977 album Animals, with a giant inflatable pig photographed between its chimneys. It has appeared in numerous films including The Dark Knight, Children of Men, and The King's Speech, and television series like Doctor Who. The station is also referenced in literature, including in the works of J. G. Ballard, and served as inspiration for the design of the Ministry of Truth in adaptations of George Orwell's Nineteen Eighty-Four.

Operations and technical specifications

At its peak, the station had a generating capacity of 503 megawatts, supplying one-fifth of London's electricity, notably for powering the London Underground. It burned over a million tons of coal annually, delivered by collier ships on the Thames. The site pioneered the use of flue-gas desulfurization technology, installing experimental "acid wash" scrubbers in the early 1930s to mitigate smog and sulfur dioxide emissions, a process later adopted globally. Each of its four chimneys served a separate boiler house, and the facility operated with turbines and generators supplied by Metropolitan-Vickers and British Thomson-Houston.

Category:Power stations in London Category:Art Deco architecture in London Category:Buildings and structures in the London Borough of Wandsworth