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Baltimore Museum of Art

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Baltimore Museum of Art
NameBaltimore Museum of Art
Established1914
LocationArt Museum Drive, Baltimore, Maryland, United States
TypeArt museum
DirectorAsma Naeem
PresidentClaire Zamoiski Segal
PublictransitLight Rail (University of Baltimore/Mount Royal station)

Baltimore Museum of Art. Founded in 1914, it is a major cultural institution renowned for its internationally significant holdings. The museum's collection spans from antiquity to the present day, with particular strengths in modern art, African art, and works by artists with ties to Maryland. Located adjacent to the Homewood campus of Johns Hopkins University, it serves as a vital resource for the Baltimore community and visitors worldwide.

History

The institution was established through the efforts of a group of civic leaders including Mary Frick Garrett, Jacques Kelly, and Henry Walters. Its first home was the former Mount Vernon mansion of Robert Gilmor III. Under early leadership like director Florence N. Levy, the collection grew rapidly, aided by pivotal bequests from patrons such as Etta and Claribel Cone, who amassed an unparalleled collection of works by Henri Matisse, Pablo Picasso, and Paul Cézanne. The museum moved to its current Charles Village location in 1929, opening a building designed by the American architect John Russell Pope. Subsequent decades saw expansion under directors including Arnold Lehman and Doreen Bolger, with major acquisitions and a renewed focus on community engagement.

Collections

The museum holds over 95,000 objects, anchored by the celebrated Cone Collection, which features masterpieces like Matisse's Large Reclining Nude and numerous works by Vincent van Gogh and Edgar Degas. Its Modern art collection is robust, with key pieces by Andy Warhol, Jasper Johns, and Robert Rauschenberg. The Department of the Arts of Africa, Asia, the Americas, and Oceania oversees a renowned assemblage of African art, including masks and figures from regions like the Democratic Republic of the Congo and Nigeria. Other strengths include a comprehensive collection of American painting, antique mosaics from Antioch, and the largest public holding of works by the Baltimore-born painter Grace Hartigan.

Architecture

The original 1929 building is a neoclassical design by John Russell Pope, the architect of the Jefferson Memorial and the National Gallery of Art West Building. A major 1994 wing, designed by Beyer Blinder Belle, added significant gallery space. The museum's grounds feature the Sculpture Garden designed by landscape architect George E. Patton, which includes works by Alexander Calder and Henry Moore. The adjacent Wurtzburger Sculpture Garden holds modern and contemporary pieces. Recent renovations, led by firms like Architectural Resources Cambridge, have updated facilities while preserving the historic fabric of the campus.

Notable exhibitions

The museum has organized many influential exhibitions, such as the 1939 Contemporary Negro Art show, a landmark in presenting African-American art. Major retrospectives have included Matisse: A Retrospective in 1993 and Andy Warhol: The Last Decade in 2010. Recent programming has emphasized inclusivity, with shows like The Culture: Hip Hop and Contemporary Art in the 21st Century and Guarding the Art, which was curated by the museum's own security staff. It also frequently collaborates with institutions like the Museum of Modern Art and the Art Institute of Chicago for traveling exhibitions.

Governance and funding

The museum is governed by a Board of Trustees led by president Claire Zamoiski Segal. It operates as a non-profit organization within the Baltimore City charter, receiving support from the Maryland State Arts Council and the Baltimore Office of Promotion & The Arts. Major endowment funds and gifts from foundations like the Andrew W. Mellon Foundation and families such as the Kriegers underwrite acquisitions and operations. The museum's funding model faced public scrutiny in 2020 regarding proposed deaccessioning plans, which were later reversed following discussions with groups like the Association of Art Museum Directors.